Volume 32, Number 1, Spring 2008

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  Scott Smallwood, Dan Trueman, Perry R. Cook, Ge Wang: Composing for Laptop Orchestra. 9-25
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  Ge Wang, Dan Trueman, Scott Smallwood, Perry R. Cook: The Laptop Orchestra as Classroom. 26-37

• 
  Rafael Ramirez, Amaury Hazan, Esteban Maestre, Xavier Serra: A Genetic Rule-Based Model of Expressive Performance for Jazz Saxophone. 38-50

• 
  Christopher Raphael: A Classifier-Based Approach to Score-Guided Source Separation of Musical Audio. 51-59

• 
  Darrell Conklin, Mathieu Bergeron: Feature Set Patterns in Music. 60-70
• 
  Jia Zhu, Ye Wang: Complexity-Scalable Beat Detection with MP3 Audio Bitstreams. 71-87
• 
  Nick Collins: Karlheinz Stockhausen: Cosmic Pulses. 88-91
• 
  Arne Eigenfeldt: International Computer Music Conference 2007: Live Electronics. 91-94
• 
  James Harley: Institut National de l'Audiovisuel: Portraits Polychromes: Max Mathews. 95-97
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  Jeffrey Treviño: Neil Rolnick: Shadow Quartet. 97-98
• 
  Andrew Fletcher: Pimmon: Electronic Tax Return; Pimmon: Secret Sleeping Birds. 98-100

Volume 32, Number 2, Summer 2008

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  Victor Lazzarini, Joseph Timoney, Thomas Lysaght: The Generation of Natural-Synthetic Spectra by Means of Adaptive Frequency Modulation. 9-22
• 
  David T. Yeh, Jonathan S. Abel, Andrei Vladimirescu, Julius O. Smith: Numerical Methods for Simulation of Guitar Distortion Circuits. 23-42
• 
  Heidi-Maria Lehtonen, Vesa Välimäki, Timo I. Laakso: Canceling and Selecting Partials from Musical Tones Using Fractional-Delay Filters. 43-56
• 
  Miroslav Zivanovic, Axel Röbel, Xavier Rodet: Adaptive Threshold Determination for Spectral Peak Classification. 57-67
• 
  Axel Röbel: Frequency-Slope Estimation and Its Application to Parameter Estimation for Non-Stationary Sinusoids. 68-79
• 
  Charles Turner: Guerino Mazzola: Elemente der Musikinformatik: Ausgearbeitet von Roland Bärtschi unter Mitarbeit von Stefan Göller. 80-82
• 
  Elizabeth Hoffman: Various: [re]. 82-84
• 
  Tae Hong Park: Paul Lansky: Alphabet Book. 84-86
• 
  James Harley: Gregory Taylor: Voiceband Jilt; The Desert Fathers (Jeff Kaiser, Gregory Taylor): Coptic Icons. 86-88

• 
  Ge Wang, Dan Trueman, Scott Smallwood, Perry R. Cook: Erratum: The Laptop Orchestra as Classroom. 4
• 
  Victor Lazzarini: Erratum: New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. 4

Volume 32, Number 3, Fall 2008

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  Yiorgos Vassilandonakis: An Interview with Philippe Leroux. 11-24

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  Jason Freeman: Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance. 25-41

• 
  Jyri Pakarinen, Tapio Puputti, Vesa Välimäki: Virtual Slide Guitar. 42-54

• 
  Jonas Braasch, Nils Peters, Daniel L. Valente: A Loudspeaker-Based Projection Technique for Spatial Music Applications Using Virtual Microphone Control. 55-71

• 
  Matti Ryynänen, Anssi Klapuri: Automatic Transcription of Melody, Bass Line, and Chords in Polyphonic Music. 72-86

• 
  Jean-François Charles: A Tutorial on Spectral Sound Processing Using Max/MSP and Jitter. 87-102
• 
  Mark Ballora: Gareth Loy: Musimathics: The Mathematical Foundations of Music, Volume 2. 103-105
• 
  Matthew McCabe: Andrew R. Brown: Computers in Music Education: Amplifying Musicality. 105-108
• 
  Michael Boyd: Dexter Morrill: Music for Stanford. 108-110
• 
  Stephen Lilly: Agostino Di Scipio: Paysages historiques: musique électroacoustique 1998-2005. 110-113
• 
  Jared Dunne: DaevlMakr.Plugs Audio Software Effects. 113-115

Volume 32, Number 4, Winter 2008

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  Ludger Brümmer: Stockhausen on Electronics, 2004. 10-16

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  Jukka Rauhala, Mikael Laurson, Vesa Välimäki, Heidi-Maria Lehtonen, Vesa Norilo: A Parametric Piano Synthesizer. 17-30

• 
  Jean Bresson, Carlos Agon: Scores, Programs, and Time Representation: The Sheet Object in OpenMusic. 31-47
• 
  Dionysios Politis, Dimitrios Margounakis, Spyridon Lazaropoulos, Leontios Papaleontiou, George Botsaris, Konstantinos Vandikas: Emulation of Ancient Greek Music Using Sound Synthesis and Historical Notation. 48-63

• 
  Elizabeth Hellmuth Margulis, Andrew P. Beatty: Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool. 64-78
• 
  Matthew Dotson: Seventeenth Florida Electroacoustic Music Festival. 79-82
• 
  Stephen Lee: Barry Blesser and Linda-Ruth Salter: Spaces Speak, Are You Listening? Experiencing Aural Architecture. 82-83
• 
  Margaret Schedel: Simon Emmerson: Living Electronic Music. 83-84
• 
  Ilias Anagnostopoulos: Qubais Reed Ghazala: Circuit-Bending: Build Your Own Alien Instruments. 84-86
• 
  George Tzanetakis: Anssi Klapuri, Manuel Davy, Eds: Signal Processing Methods for Music Transcription. 86-88
• 
  Jeffrey Treviño: Simon Emmerson: Spaces and Places. 88-89
• 
  Jared Dunne: Max 5 Programming Language Update. 89-91
• 
  Andrew Fletcher: Crusher-X Live! Granular Synthesis Software. 91-93

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