Stop the war!Остановите войну!
for scientists:
default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCIDComputer Music Journal, Volume 28
Volume 28, Number 1, Spring 2004
- Paul Doornbusch
:
Computer Sound Synthesis in 1951: The Music of CSIRAC. 10-25 - Andrea Cremaschi, Francesco Giomi:
Parrrole: Berio's Words on Music Technology. 26-36 - Georg Essl, Stefania Serafin, Perry R. Cook, Julius O. Smith III:
Theory of Banded Waveguides. 37-50 - Georg Essl, Stefania Serafin, Perry R. Cook, Julius O. Smith III:
Musical Applications of Banded Waveguides. 51-63 - David Bithell:
East Meets Left: Fourth Annual San Francisco Electronic Music Festival Evening of fixed-media compositions presented by The New San Francisco Tape Music Center, Som Arts, San Francisco, California, USA, 27 July 2003. 64-66 - James Harley:
Electric Rainbow Coalition Festival Hopkins Center for the Arts, Dartmouth College, Hanover, New Hampshire, USA, 22-24 August 2003. 66-68 - Nico Schüler:
Renee Timmers: Freedom and Constraints in Timing and Ornamentation. 68-70 - Linda Seltzer:
Dave Phillips: The Book of Linux Music and Sound. 70-71 - James Harley:
FURT: defekt. 71-73 - Nick Collins:
Radiohead: Kid ARadiohead: AmnesiacRadiohead: Hail to the Thief. 73-77
Volume 28, Number 2, Summer 2004
- Holger H. Hoos, David Bainbridge:
Editors' Notes. 4-5 - J. Stephen Downie:
The Scientific Evaluation of Music Information Retrieval Systems: Foundations and Future. 12-23 - George Tzanetakis, Jun Gao, Peter Steenkiste:
A Scalable Peer-to-Peer System for Music Information Retrieval. 24-33 - Roger B. Dannenberg, William P. Birmingham, George Tzanetakis, Colin Meek, Ning Hu, Bryan Pardo:
The MUSART Testbed for Query-by-Humming Evaluation. 34-48 - Elias Pampalk, Simon Dixon, Gerhard Widmer:
Exploring Music Collections by Browsing Different Views. 49-62 - Adam Berenzweig, Beth Logan, Daniel P. W. Ellis, Brian Whitman:
A Large-Scale Evaluation of Acoustic and Subjective Music-Similarity Measures. 63-76 - David Kim-Boyle:
International Computer Music Conference 2003: Boundaryless Music Yong Siew Toh Conservatory of Music, National University of Singapore, 29 September-4 October, 2003. 77-80 - Ian Whalley:
International Computer Music Conference 2003: Paper Sessions Yong Siew Toh Conservatory of Music, National University of Singapore, 29 September-4 October, 2003. 80-83 - Alexandra L. Uitdenbogerd:
International Conference on Music Information Retrieval 2003 Johns Hopkins University/Library of Congress, Baltimore, Maryland, USA, 26-30 October, 2003. 83-85 - Warren Burt:
Margaret Fisher: Ezra Pound's Radio Operas: The BBC Experiments, 1931-1933. 85-86 - Eliot Handelman:
Geert Lovink: Uncanny Networks: Dialogs with the Virtual Intelligentsia. 86-88 - Eric S. Strother:
Roman Petelin and Yury Petelin: Cakewalk Sonar: Plug-Ins & PC Music Recording, Arrangement, and Mixing. 88-89 - M. J. Grant:
Elena Ungeheuer, Editor: Elektroakustische Musik. 89-92 - Steve Benner:
Lawrence Casserley: The Edge of Chaos. 92-93 - Ross Feller:
David Toop, Curator: Not Necessarily "English Music": A Collection of Experimental Music from Great Britain, 1960-1977. 94-96 - Laurie Radford:
Kristoff K. Roll, Xavier Charles: La PièceSophie Agnel, Lionel Marchetti, Jérôme Noetinger: rouge gris bruitBurkhard Beins, Alessandro Bosetti, Axel Dorner, Robin Hayward, Annette Krebs, Andrea Neuman, Michale Renkel, Ignaz Schick: Phosphor. 96-98 - Benjamin R. Levy:
Roger Reynolds: last things, I think, to think about. 99-101 - Michael Theodore:
Altiverb Reverberation Software. 101-103
Volume 28, Number 3, Fall 2004
- David Cope:
A Musical Learning Algorithm. 12-27 - David Temperley:
An Evaluation System for Metrical Models. 28-44 - Christopher Raphael, Josh Stoddard:
Functional Harmonic Analysis Using Probabilistic Models. 45-52 - Olivier Lartillot:
A Musical Pattern Discovery System Founded on a Modeling of Listening Strategies. 53-67 - Wei-Ho Tsai, Dwight Rodgers, Hsin-Min Wang:
Blind Clustering of Popular Music Recordings Based on Singer Voice Characteristics. 68-78 - Frode Holm:
Believe in Music: NAMM Show 2004 International Music Products Association, Anaheim Convention Center, Anaheim, California, USA, 15-18 January 2004. 79-81 - Lyn Goeringer:
Alec Nisbett: The Sound Studio: Audio Techniques for Radio, Television, Film and Recording, Seventh Edition Softcover, ISBN 0-240-51911-6, 388 pages, illustrated, US$ 54.95; Focal Press, Linacre House, Jordan Hill, Oxford OX2 8DP, UK; 200 Wheeler Road, Burlington, Massachusetts 01803, USA; Web www.focalpress.com/. 81-83 - Larry Austin:
John Cage/Lejaren Hiller: HPSCHD Compact disc, EMF CD 038, 2003; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (+) 888-749-9998 or (+) 518-434-4110; fax (+) 518-434- 0308; electronic mail emf@emf.org; Web www.cdemusic.org. 83-85 - Alcides Lanza:
Barry Schrader: EAM Compact disc, innova 575, 2002; available from innova Recordings, 332 Minnesota Street #E-145, St. Paul, Minnesota 55101, USA; telephone (+1) 651-251-2823; fax (+) 651-291-7978; electronic mail innova@composersforum.org; Web www.innovarecordings.org. 85-86 - Elainie Lillios:
Larry Austin: OCTO MIXES Compact disc, 2001, EMF CD 039; available from Electronic Music Foundation, 116 North Lake Avenue, Albany, New York 12206, USA; telephone (+) 888-749-9998 or (+) 518-434-4110; fax (+) 518-434-0308; electronic mail emf@emf.org; Web www.cdemusic.org. 86-88 - Sandy Nordahl:
Biota: Invisible Map Compact disc, ReR BCD5, 2000; available from ReR Records, 79 Beulah Road, Thornton Heath, Surrey CR7 8JG, UK; telephone (+44) 181-7711-063; fax (+44) 181-771-3138; Web www.rermegacorp.com/index.shtml. 88-89 - James Harley:
McGill Electronic Music Studio 35th Anniversary: Tornado-Electroacoustic Compositions Compact discs (2), McGill Records 2001-01-2, 2001; available from Electronic Music Studio, Faculty Music, McGill University, 555 Sherbrooke Street West, Montreal, Quebec H3A 1E3, Canada. 89-91 - Margaret Cahill:
Applied Accoustics Tassman 3.0Applied Acoustics Lounge Lizard EP-2 Applied Acoustics, 486 Ste-Catherine West, Suite 301, Montreal, Quebec H3B 1A6, Canada; telephone (+1) 888-441-8277; fax (+1) 514-845- 1875; electronic mail info@applied-acoustics.com; Web www.applied-acoustics.com. 91-94
Volume 28, Number 4, Winter 2004
- Keeril Makan:
An Interview With Edmund Campion. 16-24 - Bret Battey:
Bézier Spline Modeling of Pitch-Continuous Melodic Expression and Ornamentation. 25-39 - Peter R. Symons:
Phase-Continuous Frequency Change in the Direct-Form, Second-Order Recursive Oscillator. 40-48 - Rudi Cilibrasi, Paul M. B. Vitányi, Ronald de Wolf:
Algorithmic Clustering of Music Based on String Compression. 49-67 - Steven Jan:
Meme Hunting with the Humdrum Toolkit: Principles, Problems, and Prospects. 68-84 - Larry Austin:
Center for Experimental Music and Intermedia: Forty Years on the Edge Merrill Ellis Intermedia Theater, University of North Texas, Denton, Texas, USA, 19-20 April 2004. 85-87 - Dave Phillips:
Linux Audio Conference 2004 Zentrum fur Kunst und Medientechnology, Karlsruhe, Germany, 29 April-2 May 2004. 87-91 - Marcus T. Pearce, David Meredith:
The Second International Symposium on Computer Music Modeling and Retrieval (CMMR 2004) Aalborg University Esbjerg, Esbjerg, Denmark, 26-29 May 2004. 91-93 - James Harley:
Peter Manning: Electronic and Computer Music, Revised and Expanded Edition. 93-95 - Perry Cook:
Eduardo Reck Miranda: Mother Tongue. 95-96 - Patricia L. Dirks:
Various: Electroshock Presents Electroacoustic Music, Volume VII. 96-98 - Patricia L. Dirks:
Various: Harangue II. 98-100 - James Harley:
Various: Presence IIIVarious: DISContact! III. 100-103
a service of 
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-04-25 04:48 CEST by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
