 | 2010 |
|---|
| 12 |       | Lalya Gaye,
Atau Tanaka,
Ranald Richardson,
Kazuhiro Jo:
Social inclusion through the digital economy: digital creative engagement and youth-led innovation.
IDC 2010: 352-355 |
| 2009 |
|---|
| 11 | | Jamie Allen,
Areti Galani,
Kazuhiro Jo:
An ecology of practice: chiptune marching band.
Creativity & Cognition 2009: 347-348 |
| 10 | | Hideki Yoshimoto,
Kazuhiro Jo,
Koichi Hori:
Toward entertainment blimps for everyone by everyone.
Creativity & Cognition 2009: 445-446 |
| 9 | | Kazuhiro Jo,
Jamie Allen,
Areti Galani:
Chiptune marching band: a public workshop and performance.
Creativity & Cognition 2009: 481-482 |
| 8 | | Hideki Yoshimoto,
Kazuhiro Jo,
Koichi Hori:
Designing Interactive Blimps as Puppets.
ICEC 2009: 204-209 |
| 7 | | Kazuhiro Jo,
Jamie Allen:
Chiptune Marching Band: presented simultaneously in Japanese and English.
SIGGRAPH ASIA Courses 2009 |
| 2008 |
|---|
| 6 | | Hideki Yoshimoto,
Kazuhiro Jo,
Koichi Hori:
Design of installation with interactive UAVs.
Advances in Computer Entertainment Technology 2008: 424 |
| 5 | | Kazuhiro Jo:
DrawSound: a drawing instrument for sound performance.
Tangible and Embedded Interaction 2008: 59-62 |
| 4 | | Kazuhiro Jo,
Ken Furudate,
Daisuke Ishida,
Mizuki Noguchi:
Transition of instruments in The SINE WAVE ORCHESTRA.
Computers in Entertainment 6(4): (2008) |
| 2007 |
|---|
| 3 | | Kumiyo Nakakoji,
Kazuhiro Jo,
Yasuhiro Yamamoto,
Yoshiyuki Nishinaka,
Mitsuhiro Asada:
Reproducing and Re-experiencing the Writing Process in Japanese Calligraphy.
Tabletop 2007: 75-78 |
| 2005 |
|---|
| 2 | | Kazuhiro Jo,
Ken Furudate,
Daisuke Ishida,
Mizuki Noguchi:
The SINE WAVE ORCHESTRA stay.
ACM Multimedia 2005: 571-573 |
| 2001 |
|---|
| 1 | | Naoko Kubo,
Kazuhiro Jo,
Ken Matsunaga:
TSI (teething ring sound instrument): a design of the sound instrument for the baby.
UIST 2001: 157-158 |
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