 | 2011 |
| 25 |  | Andrew J. Milne,
Martin Carlé,
William A. Sethares,
Thomas Noll,
Simon Holland:
Scratching the Scale Labyrinth.
MCM 2011: 180-195 |
| 2010 |
| 24 |  | Simon Holland,
Anders J. Bouwer,
Mathew Dalgelish,
Topi M. Hurtig:
Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit.
Tangible and Embedded Interaction 2010: 21-28 |
| 23 |  | Katie Wilkie,
Simon Holland,
Paul Mulholland:
What Can the Language of Musicians Tell Us about Music Interaction Design?
Computer Music Journal 34(4): 34-48 (2010) |
| 2009 |
| 22 |  | Katie Wilkie,
Simon Holland,
Paul Mulholland:
Evaluating musical software using conceptual metaphors.
BCS HCI 2009: 232-237 |
| 21 |  | Simon Holland,
Paul Marshall,
Jon Bird,
Nick Sheep Dalton,
Richard Morris,
Nadia Pantidi,
Yvonne Rogers,
Andy Clark:
Running up Blueberry Hill: prototyping whole body interaction in harmony space.
Tangible and Embedded Interaction 2009: 93-98 |
| 20 |  | Arturo Nakasone,
Helmut Prendinger,
Simon Holland,
Piet Hut,
Jun Makino,
Ken Miura:
AstroSim: Collaborative Visualization of an Astrophysics Simulation in Second Life.
IEEE Computer Graphics and Applications 29(5): 69-81 (2009) |
| 2007 |
| 19 |  | Patrick Hill,
Simon Holland,
Robin C. Laney:
An Introduction to Aspect-Oriented Music Representation.
Computer Music Journal 31(4): 47-58 (2007) |
| 2006 |
| 18 |  | Patrick Hill,
Simon Holland,
Robin C. Laney:
Symmetric composition of musical concerns.
AOSD 2006: 226-236 |
| 2004 |
| 17 |  | Simon Holland:
A First Empirical Study of Direct Combination in a Ubiquitous Environment.
BCS HCI 2004: 229-248 |
| 16 |  | Simon Holland,
Robert Day,
Grégory Leplâtre,
Alistair D. N. Edwards:
Mobile HCI and Sound.
Mobile HCI 2004: 527-528 |
| 15 |  | Simon Holland:
Reflective composition: the declarative composition of roles to unify objects, roles, and aspects.
OOPSLA Companion 2004: 224-225 |
| 2002 |
| 14 |  | Simon Holland,
David R. Morse,
Henrik Gedenryd:
Direct Combination: A New User Interaction.
Mobile HCI 2002: 108-122 |
| 13 |  | Simon Holland,
David R. Morse,
Henrik Gedenryd:
AudioGPS: Spatial Audio Navigation with a Minimal Attention Interface.
Personal and Ubiquitous Computing 6(4): 253-259 (2002) |
| 2000 |
| 12 |  | Simon Holland:
Artificial Intelligence in Music Education: A Critical Review.
Readings in Music and Artificial Intelligence 2000: 239-274 |
| 1999 |
| 11 |  | Simon Holland,
Daniel Oppenheim:
Direct Combination.
CHI 1999: 262-269 |
| 10 |  | Mark Woodman,
Robert Griffiths,
Malcolm Macgregor,
Simon Holland:
OU LearningWorks: A Customized Programming Environment for Smalltalk Modules.
ICSE 1999: 638-641 |
| 9 |  | Mark Woodman,
Robert Griffiths,
Malcolm Macgregor,
Simon Holland,
Hugh Robinson:
Exploiting Smalltalk Modules in a Customizable Programming Environment.
ICSE 1999: 65-74 |
| 8 |  | Mark Woodman,
Robert Griffiths,
Simon Holland,
Hugh Robinson,
Malcolm Macgregor:
Employing Object Technology to Expose Fundamental Object Concepts.
TOOLS (29) 1999: 371-383 |
| 7 |  | Robert Griffiths,
Mark Woodman,
Simon Holland,
Malcolm Macgregor,
Hugh Robinson:
Separable UI Architectures in Teaching Object Technology.
TOOLS (30) 1999: 290-299 |
| 1997 |
| 6 |  | Simon Holland,
Robert Griffiths,
Mark Woodman:
Avoiding object misconceptions.
SIGCSE 1997: 131-134 |
| 5 |  | Mark Woodman,
Robert Griffiths,
Simon Holland,
Andrew Law:
The object shop - Using CD-ROM multimedia to introduce object concepts.
SIGCSE 1997: 345-349 |
| 1996 |
| 4 |  | Mark Woodman,
Simon Holland:
From software user to software author: an initial pedagogy for introductory object-oriented computing.
ITiCSE 1996: 60-62 |
| 3 |  | Mark Woodman,
Gordon Davies,
Simon Holland:
The joy of software - starting with objects.
SIGCSE 1996: 88-92 |
| 1993 |
| 2 |  | Simon Holland:
Learning About Harmony with Harmony Space: An Overview.
Music Education: An Artificial Intelligence Approach 1993: 24-40 |
| 1 |  | Matt Smith,
Simon Holland:
MOTIVE: The Development of an AI Tool for Beginning Melody Composers.
Music Education: An Artificial Intelligence Approach 1993: 41-55 |