 | 2012 |
| 21 |  | Markus Schedl,
Sebastian Stober,
Emilia Gómez,
Nicola Orio,
Cynthia C. S. Liem:
User-Aware Music Retrieval.
Multimodal Music Processing 2012 |
| 20 |  | Justin Salamon,
Joan Serrà,
Emilia Gómez:
Melody, bass line, and harmony representations for music version identification.
WWW (Companion Volume) 2012: 887-894 |
| 19 |  | Justin Salamon,
Emilia Gómez:
Melody Extraction From Polyphonic Music Signals Using Pitch Contour Characteristics.
IEEE Transactions on Audio, Speech & Language Processing 20(6): 1759-1770 (2012) |
| 2011 |
| 18 |  | Agustín Martorell,
Emilia Gómez:
Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty over Time.
MCM 2011: 140-150 |
| 2010 |
| 17 |  | Martín Haro,
Anna Xambó,
Ferdinand Fuhrmann,
Dmitry Bogdanov,
Emilia Gómez,
Perfecto Herrera:
The Musical Avatar: a visualization of musical preferences by means of audio content description.
Audio Mostly Conference 2010: 14 |
| 16 |  | Joaquín Mora,
Francisco Gómez,
Emilia Gómez,
Francisco Escobar-Borrego,
José Miguel Díaz-Báñez:
Characterization and Similarity in A Cappella Flamenco Cantes.
ISMIR 2010: 351-356 |
| 15 |  | Joan Serrà,
Emilia Gómez,
Perfecto Herrera:
Audio Cover Song Identification and Similarity: Background, Approaches, Evaluation, and Beyond.
Advances in Music Information Retrieval 2010: 307-332 |
| 14 |  | Miguel Molina-Solana,
Josep Lluís Arcos,
Emilia Gómez:
Identifying violin performers by their expressive trends.
Intell. Data Anal. 14(5): 555-571 (2010) |
| 2009 |
| 13 |  | Emilia Gómez,
Martín Haro,
Perfecto Herrera:
Music and Geography: Content Description of Musical Audio from Different Parts of the World.
ISMIR 2009: 753-758 |
| 2008 |
| 12 |  | Joan Serrà,
Emilia Gómez:
Audio cover song identification based on tonal sequence alignment.
ICASSP 2008: 61-64 |
| 11 |  | Miguel Molina-Solana,
Josep Lluís Arcos,
Emilia Gómez:
Using Expressive Trends for Identifying Violin P erformers.
ISMIR 2008: 495-500 |
| 10 |  | Joan Serrà,
Emilia Gómez,
Perfecto Herrera,
Xavier Serra:
Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification.
IEEE Transactions on Audio, Speech & Language Processing 16(6): 1138-1151 (2008) |
| 2007 |
| 9 |  | Rafael Ramirez,
Esteban Maestre,
Antonio Pertusa,
Emilia Gómez,
Xavier Serra:
Performance-Based Interpreter Identification in Saxophone Audio Recordings.
IEEE Trans. Circuits Syst. Video Techn. 17(3): 356-364 (2007) |
| 8 |  | Graham E. Poliner,
Daniel P. W. Ellis,
A. F. Ehmann,
Emilia Gómez,
S. Streich,
Beesuan Ong:
Melody Transcription From Music Audio: Approaches and Evaluation.
IEEE Transactions on Audio, Speech & Language Processing 15(4): 1247-1256 (2007) |
| 2006 |
| 7 |  | Emilia Gómez,
Perfecto Herrera:
The song remains the same: identifying versions of the same piece using tonal descriptors.
ISMIR 2006: 180-185 |
| 6 |  | Emilia Gómez:
Tonal Description of Polyphonic Audio for Music Content Processing.
INFORMS Journal on Computing 18(3): 294-304 (2006) |
| 2005 |
| 5 |  | Christopher Harte,
Mark B. Sandler,
Samer A. Abdallah,
Emilia Gómez:
Symbolic Representation of Musical Chords: A Proposed Syntax for Text Annotations.
ISMIR 2005: 66-71 |
| 4 |  | Perfecto Herrera,
Òscar Celma,
Jordi Massaguer,
Pedro Cano,
Emilia Gómez,
Fabien Gouyon,
Markus Koppenberger:
MUCOSA: A Music Content Semantic Annotator.
ISMIR 2005: 77-83 |
| 3 |  | Pedro Cano,
Eloi Batlle,
Emilia Gómez,
Leandro de C. T. Gomes,
Madeleine Bonnet:
Audio Fingerprinting: Concepts And Applications.
Computational Intelligence for Modelling and Prediction 2005: 233-245 |
| 2004 |
| 2 |  | Emilia Gómez,
Perfecto Herrera:
Estimating The Tonality Of Polyphonic Audio Files: Cognitive Versus Machine Learning Modelling Strategies.
ISMIR 2004 |
| 2002 |
| 1 |  | Pedro Cano,
Eloi Batlle,
Emilia Gómez,
Leandro de C. T. Gomes,
Madeleine Bonnet:
Audio Fingerprinting: Concepts and Application.
FSKD 2002: 389-393 |