 | 2012 |
|---|
| 40 |       | Emmanouil Benetos,
Simon Dixon:
Temporally-Constrained Convolutive Probabilistic Latent Component Analysis for Multi-pitch Detection.
LVA/ICA 2012: 364-371 |
| 2011 |
|---|
| 39 | | Emmanouil Benetos,
Simon Dixon:
Polyphonic music transcription using note onset and offset detection.
ICASSP 2011: 37-40 |
| 38 | | Robert Macrae,
Joachim Neumann,
Xavier Anguera,
Nuria Oliver,
Simon Dixon:
Real-time synchronisation of multimedia streams in a mobile device.
ICME 2011: 1-6 |
| 37 | | Simon Dixon,
Dan Tidhar,
Emmanouil Benetos:
The Temperament Police: The Truth, the Ground Truth, and Nothing but the Truth.
ISMIR 2011: 281-286 |
| 36 | | Dan Stowell,
Simon Dixon:
MIR in School? Lessons from Ethnographic Observation of Secondary School Music Classes.
ISMIR 2011: 347-352 |
| 35 | | Mathieu Barthet,
Simon Dixon:
Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval.
ISMIR 2011: 353-358 |
| 34 | | Robert Macrae,
Simon Dixon:
Guitar Tab Mining, Analysis and Ranking.
ISMIR 2011: 453-458 |
| 33 | | Emmanouil Benetos,
Simon Dixon:
A temporally-constrained convolutive probabilistic model for pitch detection.
WASPAA 2011: 133-136 |
| 32 | | Meinard Müller,
Masataka Goto,
Simon Dixon:
Multimodal Music Processing (Dagstuhl Seminar 11041).
Dagstuhl Reports 1(1): 68-101 (2011) |
| 31 | | Emmanouil Benetos,
Simon Dixon:
Joint Multi-Pitch Detection Using Harmonic Envelope Estimation for Polyphonic Music Transcription.
J. Sel. Topics Signal Processing 5(6): 1111-1123 (2011) |
| 2010 |
|---|
| 30 | | Simon Dixon,
Matthias Mauch,
Amelie Anglade:
Probabilistic and Logic-Based Modelling of Harmony.
CMMR 2010: 1-19 |
| 29 | | Dan Tidhar,
Matthias Mauch,
Simon Dixon:
High precision frequency estimation for harpsichord tuning classification.
ICASSP 2010: 61-64 |
| 28 | | Robert Macrae,
Simon Dixon:
A guitar tablature score follower.
ICME 2010: 725-726 |
| 27 | | Matthias Mauch,
Simon Dixon:
Approximate Note Transcription for the Improved Identification of Difficult Chords.
ISMIR 2010: 135-140 |
| 26 | | Robert Macrae,
Simon Dixon:
Accurate Real-time Windowed Time Warping.
ISMIR 2010: 423-428 |
| 25 | | Matthias Mauch,
Simon Dixon:
Simultaneous Estimation of Chords and Musical Context From Audio.
IEEE Transactions on Audio, Speech & Language Processing 18(6): 1280-1289 (2010) |
| 2009 |
|---|
| 24 | | Matthias Mauch,
Katy Noland,
Simon Dixon:
Using Musical Structure to Enhance Automatic Chord Transcription.
ISMIR 2009: 231-236 |
| 23 | | Amelie Anglade,
Rafael Ramirez,
Simon Dixon:
Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions.
ISMIR 2009: 669-674 |
| 2008 |
|---|
| 22 | | Andreas Arzt,
Gerhard Widmer,
Simon Dixon:
Automatic Page Turning for Musicians via Real-Time Machine Listening.
ECAI 2008: 241-245 |
| 21 | | Matthias Mauch,
Simon Dixon:
A Discrete Mixture Model for Chord Labelling.
ISMIR 2008: 45-50 |
| 20 | | Amelie Anglade,
Simon Dixon:
Characterisation of Harmony With Inductive Logic Programming.
ISMIR 2008: 63-68 |
| 2007 |
|---|
| 19 |  | Simon Dixon,
David Bainbridge,
Rainer Typke:
Proceedings of the 8th International Conference on Music Information Retrieval, ISMIR 2007, Vienna, Austria, September 23-27, 2007
Austrian Computer Society 2007 |
| 18 | | Matthias Mauch,
Simon Dixon,
Christopher Harte,
Michael Casey,
Benjamin Fields:
Discovering Chord Idioms Through Beatles and Real Book Songs.
ISMIR 2007: 255-258 |
| 2006 |
|---|
| 17 | | Arthur Flexer,
Fabien Gouyon,
Simon Dixon,
Gerhard Widmer:
Probabilistic Combination of Features for Music Classification.
ISMIR 2006: 111-114 |
| 16 | | Fabien Gouyon,
Anssi Klapuri,
Simon Dixon,
M. Alonso,
G. Tzanetakis,
C. Uhle,
Pedro Cano:
An experimental comparison of audio tempo induction algorithms.
IEEE Transactions on Audio, Speech & Language Processing 14(5): 1832-1844 (2006) |
| 2005 |
|---|
| 15 | | Simon Dixon:
An On-Line Time Warping Algorithm for Tracking Musical Performances.
IJCAI 2005: 1727-1728 |
| 14 | | Simon Dixon,
Gerhard Widmer:
MATCH: A Music Alignment Tool Chest.
ISMIR 2005: 492-497 |
| 13 | | Simon Dixon:
Audio Analysis Applications for Music.
Encyclopedia of Information Science and Technology (I) 2005: 188-196 |
| 2004 |
|---|
| 12 | | Fabien Gouyon,
Simon Dixon:
Dance music classification: A tempo-based approach.
ISMIR 2004 |
| 11 | | Simon Dixon,
Fabien Gouyon,
Gerhard Widmer:
Towards Characterisation of Music via Rhythmic Patterns.
ISMIR 2004 |
| 2003 |
|---|
| 10 | | Simon Dixon,
Elias Pampalk,
Gerhard Widmer:
Classification of dance music by periodicity patterns.
ISMIR 2003 |
| 9 | | Elias Pampalk,
Simon Dixon,
Gerhard Widmer:
Exploring music collections by browsing different views.
ISMIR 2003 |
| 8 | | Simon Dixon:
Analysis of musical expression in audio signals.
Storage and Retrieval for Media Databases 2003: 122-132 |
| 7 | | Gerhard Widmer,
Simon Dixon,
Werner Goebl,
Elias Pampalk,
Asmir Tobudic:
In Search of the Horowitz Factor.
AI Magazine 24(3): 111-130 (2003) |
| 2002 |
|---|
| 6 | | Simon Dixon,
Werner Goebl,
Gerhard Widmer:
Real Time Tracking and Visualisation of Musical Expression.
ICMAI 2002: 58-68 |
| 2000 |
|---|
| 5 | | Simon Dixon,
Emilios Cambouropoulos:
Beat Tracking with Musical Knowledge.
ECAI 2000: 626-630 |
| 4 | | Simon Dixon:
A Lightweight Multi-agent Musical Beat Tracking System.
PRICAI 2000: 778-788 |
| 1997 |
|---|
| 3 | | Simon Dixon:
Beat Induction and Rhythm Recognition.
Australian Joint Conference on Artificial Intelligence 1997: 311-320 |
| 1993 |
|---|
| 2 | | Simon Dixon,
Wayne Wobcke:
The Implementation of a First-Order Logic AGM Belief Revision System.
ICTAI 1993: 40-47 |
| 1 | | Simon Dixon,
Norman Y. Foo:
Connections Between the ATMS and AGM Belief Revision.
IJCAI 1993: 534-539 |
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