 | 2011 |
| 21 |  | Amelie Anglade,
Òscar Celma,
Ben Fields,
Paul Lamere,
Brian McFee:
WOMRAD: 2nd workshop on music recommendation and discovery.
RecSys 2011: 381-382 |
| 20 |  | Òscar Celma,
Paul Lamere:
Music recommendation and discovery revisited.
RecSys 2011: 7-8 |
| 19 |  | Òscar Celma,
Paul Lamere:
If You Like Radiohead, You Might Like This Article.
AI Magazine 32(3): 57-66 (2011) |
| 2010 |
| 18 |  | Òscar Celma:
Music Recommendation and Discovery - The Long Tail, Long Fail, and Long Play in the Digital Music Space.
Springer 2010: I-XVI, 1-194 |
| 17 |  | Amelie Anglade,
Claudio Baccigalupo,
Norman Casagrande,
Òscar Celma,
Paul Lamere:
Workshop report: WOMRAD 2010.
RecSys 2010: 381-382 |
| 2009 |
| 16 |  | Massimiliano Zanin,
Pedro Cano,
Òscar Celma,
Javier M. Buldú:
Preferential Attachment, Aging and Weights in Recommendation Systems.
I. J. Bifurcation and Chaos 19(2): 755-763 (2009) |
| 2008 |
| 15 |  | Òscar Celma,
Paul Lamere:
If you like the beatles you might like...: a tutorial on music recommendation.
ACM Multimedia 2008: 1157-1158 |
| 14 |  | Mohamed Sordo,
Òscar Celma,
Martin Blech,
Enric Guaus:
The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree?
ISMIR 2008: 255-260 |
| 13 |  | Òscar Celma,
Perfecto Herrera:
A new approach to evaluating novel recommendations.
RecSys 2008: 179-186 |
| 12 |  | Òscar Celma,
Yves Raimond:
ZemPod: A semantic web approach to podcasting.
J. Web Sem. 6(2): 162-169 (2008) |
| 11 |  | Òscar Celma,
Xavier Serra:
FOAFing the music: Bridging the semantic gap in music recommendation.
J. Web Sem. 6(4): 250-256 (2008) |
| 2007 |
| 10 |  | Mohamed Sordo,
Cyril Laurier,
Òscar Celma:
Annotating Music Collections: How Content-Based Similarity Helps to Propagate Labels.
ISMIR 2007: 531-534 |
| 9 |  | Juyong Park,
Òscar Celma,
Markus Koppenberger,
Pedro Cano,
Javier M. Buldú:
The Social Network of Contemporary Popular Musicians.
I. J. Bifurcation and Chaos 17(7): 2281-2288 (2007) |
| 2006 |
| 8 |  | Vegard Sandvold,
Thomas Aussenac,
Òscar Celma,
Perfecto Herrera:
Good Vibrations: Music Discovery through Personal Musical Concepts.
ISMIR 2006: 322-323 |
| 7 |  | Òscar Celma,
Pedro Cano,
Perfecto Herrera:
Search Sounds: An audio crawler focused on weblogs.
ISMIR 2006: 365-366 |
| 6 |  | Òscar Celma:
Foafing the Music: Bridging the Semantic Gap in Music Recommendation.
International Semantic Web Conference 2006: 927-934 |
| 5 |  | Òscar Celma,
Perfecto Herrera,
Xavier Serra:
A Multimodal Approach to Bridge the Music Semantic Gap.
SAMT (Posters and Demos) 2006 |
| 2005 |
| 4 |  | Òscar Celma,
Miquel Ramírez,
Perfecto Herrera:
Foafing the Music: A Music Recommendation System based on RSS Feeds and User Preferences.
ISMIR 2005: 464-467 |
| 3 |  | Perfecto Herrera,
Òscar Celma,
Jordi Massaguer,
Pedro Cano,
Emilia Gómez,
Fabien Gouyon,
Markus Koppenberger:
MUCOSA: A Music Content Semantic Annotator.
ISMIR 2005: 77-83 |
| 2004 |
| 2 |  | Otto Wüst,
Òscar Celma:
An MPEG-7 Database System and Application for Content-Based Management and Retrieval of Music.
ISMIR 2004 |
| 1 |  | Òscar Celma:
Architecture for an MPEG-7 Web Browser.
ISMIR 2004 |