ICVS 2005: Strasbourg, France

Virtual Reality Technologies

• Michitaka Hirose:
  Virtual Reality Technology and Museum Exhibit. 3-11
  
• Youngho Lee, Sejin Oh, Woontack Woo:
  A Context-Based Storytelling with a Responsive Multimedia System (RMS). 12-21
  
• Knut Langhans, Klaas Oltmann, Sebastian Reil, Lars Goldberg, Hannes Hatecke:
  FELIX 3D Display: Human-Machine Interface for Interactive Real Three-Dimensional Imaging. 22-31
  
• Ana C. Andrés del Valle, Agata Opalach:
  Proposing Daily Visual Feedback as an Aide to Reach Personal Goals. 32-40
  
• Roland Cahen, Xavier Rodet, Jean-Philippe Lambert:
  Sound Navigation in PHASE Installation: Producing Music as Performing a Game Using Haptic Feedback. 41-50
  

Virtual Characters

• Markus Löckelt:
  Action Planning for Virtual Human Performances. 53-62
  
• Ricardo Imbert, Angélica de Antonio:
  An Emotional Architecture for Virtual Characters. 63-72
  
• Benjamin Kempe, Norbert Pfleger, Markus Löckelt:
  Generating Verbal and Nonverbal Utterances for Virtual Characters. 73-76
  
• Sebastian A. Weiß, Wolfgang Müller, Ulrike Spierling, Florian Steimle:
  Scenejo - An Interactive Storytelling Platform. 77-80
  

Drama and Emotion

• Janet Murray:
  Did It Make You Cry? Creating Dramatic Agency in Immersive Environments. 83-94
  
• Rossana Damiano, Vincenzo Lombardo, Antonio Pizzo:
  Formal Encoding of Drama Ontology. 95-104
  
• Nelson Zagalo, Ana Torres, Vasco Branco:
  Emotional Spectrum Developed by Virtual Storytelling. 105-114
  
• Nicolas Szilas, Maurizio Mancini:
  The Control of Agents' Expressivity in Interactive Drama. 115-124
  
• Josephine Anstey:
  Agency and the "Emotion Machine". 125-128
  
• Celso de Melo, Ana Paiva:
  Environment Expression: Telling Stories Through Cameras, Lights and Music. 129-132
  

Interactive Digital Storytelling

• Ken Perlin:
  Toward Interactive Narrative. 135-147
  
• Sandy Louchart, Ruth Aylett:
  Managing a Non-linear Scenario - A Narrative Evolution. 148-157
  
• Knut Hartmann, Sandra Hartmann, Matthias Feustel:
  Motif Definition and Classification to Structure Non-linear Plots and to Control the Narrative Flow in Interactive Dramas. 158-167
  
• Stefan Göbel, Felicitas Becker, Axel Feix:
  INSCAPE: Storymodels for Interactive Storytelling and Edutainment Applications. 168-171
  
• Norbert Reithinger, Elsa Pecourt, Mina Nikolova:
  Meta-Data for Interactive Storytelling. 172-175
  

New Ways of Narrative

• Ella Tallyn, Boriana Koleva, Brian Logan, Dan Fielding, Steve Benford, Giulia Gelmini, Neil Madden:
  Embodied Reporting Agents as an Approach to Creating Narratives from Live Virtual Worlds. 179-188
  
• Hans-Georg Struck:
  Telling Stories Knowing Nothing: Tackling the Lack of Common Sense Knowledge in Story Generation Systems. 189-198
  
• Armele Adams:
  How Do We Build This Thing?: Imagining Frameworks for Personal Narratives. 199-208
  
• Ido Iurgel:
  Beneficial Dependencies: Design Principles for Narrative Games. 209-218
  
• Ludvig Lohse, Maureen Thomas:
  Storytelling for the Small Screen: Authoring and Producing Reconfigurable Cinematic Narrative for Sit-Back Enjoyment. 219-222
  

Interactivity

• Ana Paiva:
  The Role of Tangibles in Interactive Storytelling. 225-228
  
• Norman Lin, Kenji Mase, Yasuyuki Sumi, Tomoji Toriyama:
  Enabling Communications-Based Interactive Storytelling Through a Tangible Mapping Approach. 229-238
  
• EunKyung Chung, Elizabeth Figa:
  A Multidimensional Scale Model to Measure the Interactivity of Virtual Storytelling. 239-248
  

Applications

• Ken Perlin, Mary Flanagan, Andrea Hollingshead:
  The Rapunsel Project. 251-259
  
• Kaoru Sumi, Katsumi Tanaka:
  Automatic Conversion from E-Content into Virtual Storytelling. 260-269
  
• Axel Vogelsang, Beat Signer:
  The Lost Cosmonaut: An Interactive Narrative Environment on the Basis of Digitally Enhanced Paper. 270-279
  
• Youngho Lee, Dahee Kim, Youngil Lim, Kyuhyung Kim, Haesun Kim, Woontack Woo:
  Dream of Mee-Luck: Aspiration for a New Dawn. 280-283
  
• Julia Sussner, Maureen Thomas:
  Interactivity and Digital Environments: Designing a Storymap for Gormenghast Explore . 284-287
  

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