36. SIGGRAPH 2009: New Orleans, Louisiana, USA

• Moritz Stefaner, Martin Rosvall, Carl T. Bergstrom:
  well-formed.eigenfactor: visualizing information flow in science.
  
• Maria Palazzi, Norah Zuniga Shaw:
  Synchronous objects for one flat thing, reproduced.
  
• Evan Tice, Tim Tregubov, Kate Schnippering, Yoon-Ki Park, Ray diCiaccio, Max Friedman, Jennifer Huang, Justin Slick, Giulia Siccardo, Jessica Glago, Stephanie Trudeau, Daniel Gobaud, Daniel Garcia, Craig Slagel, Lorie Loeb:
  GreenLite Dartmouth: unplug or the polar bear gets it.
  
• Andreas Söderström, Ken Museth:
  Non-reflective boundary conditions for incompressible free surface fluids.
  
• Ken Museth:
  An efficient level set toolkit for visual effects.
  
• Lucio Flores, David F. Horsley:
  Underground cave sequence for Land of the Lost.
  
• Jeffrey Lee Hellrung Jr., Andrew Selle, Arthur Shek, Eftychios Sifakis, Joseph Teran:
  Geometric fracture modeling in Bolt.
  
• Jon Reisch, Eric Froemling:
  Simulating the Balloon Canopy in Up.
  
• Theresa-Marie Rhyne:
  Applying color theory to creating scientific visualizations.
  
• D. Scott Hessels:
  GPSFilm: location-based mobile cinema.
  
• Joanna Berzowska, Maksim Skorobogatiy:
  Karma Chameleon: jacquard-woven photonic fiber display.
  
• Jason L. Reisman, Philip L. Davidson, Jefferson Y. Han:
  Generalizing multi-touch direct manipulation.
  
• Matthew Hirsch, Douglas Lanman, Ramesh Raskar, Henry Holtzman:
  BiDi screen: depth and lighting aware interaction and display.
  
• Pamela Taylor:
  Innovation in animation: exiting the comfort zone.
  
• Subhashish Aikat, Barbara McCullough:
  Educate the educator: lessons from faculty education programs at Rhythm & Hues studios worldwide.
  
• Shilo T. McClean:
  Building bridges, not falling through cracks: what we have learned during ten years of Australian digital visual effects traineeships.
  
• Byron Bashforth, Laura Hainke, Junyi Ling, Tom Sanocki:
  Hatching an imaginary bird.
  
• Evan Goldberg, Dmitriy Pinskiy:
  Rhino-palooza: procedural animation and mesh smoothing.
  
• Paul Aichele, Byron Bashforth, Laura Hainke, Bob Moyer:
  It's good to be Alpha.
  
• Carsten Kolve, Dan Bethell, Rogier Fransen, Johannes Saam, Premamurti Paetsch:
  Venomous cattle for Australia.
  
• Adolph Lusinsky, Paul Felix, Ernie Petti, Sean Jenkins, Adrienne Othon, Patrick Dalton, Hank Driskill, John Murrah:
  Applying painterly concepts in a CG film - Bolt.
  
• Isaac Botkin:
  Painting with polygons: non-photorealistic rendering using existing tools.
  
• Ivan Neulander:
  Smoother subsurface scattering.
  
• Jonathan Stone:
  Radially-symmetric reflection maps.
  
• Dale Mayeda:
  Interactive lighting of effects using point clouds in "Bolt".
  
• Lewis Siegel, Sean Jenkins:
  Composite based refraction for fur and other complex objects on "Bolt".
  
• Ted Waine, Oliver James:
  Dense stereo event capture for James Bond, Quantum of Solace.
  
• Cyrus A. Wilson, Abhijeet Ghosh, Pieter Peers, Jen-Yuan Chiang, Jay Busch, Paul E. Debevec:
  2D and 3D facial correspondences via photometric alignment.
  
• Christoph Bregler, Kiran Bhat, Jeff Saltzman, Brett Allen:
  ILM's multitrack: a new visual tracking framework for high-end VFX production.
  
• Abhijeet Ghosh, Tongbo Chen, Pieter Peers, Cyrus A. Wilson, Paul E. Debevec:
  Estimating specular roughness from polarized second order spherical gradient illumination.
  
• Genevieve Orr:
  Computational thinking through programming and algorithmic art.
  
• Kim Baumann Larsen:
  Universal panoramas: narrative, interactive panoramic universes on the internet.
  
• Nicholas Desbiens:
  Genetic Stair.
  
• DongSheng Cai, Shigenori Mochiuki, Yun Wang, Nobuyoshi Asai, Asako Fukumoto:
  Visual Zen art: aesthetic cognitive dissonance in Japanese dry stone garden measured in visual PageRank.
  
• Marcelo Cicconet, Ilana Paterman, Paulo Cezar Pinto Carvalho, Luiz Velho:
  The blues machine.
  
• Thomas Ciufo:
  Computer-mediated performance and extended instrument design.
  
• Kyung Ae Lim, Christopher Raphael:
  InTune: a musician's intonation visualization system.
  
• Robert Neuman:
  Concurrent monoscopic and stereoscopic animated film production.
  
• Fran Kalal, Carmen Ngai, Claudia Chung:
  Pushing tailoring techniques to reinforce Up character design.
  
• Eric Froemling:
  The net effect: simulated bird-catching in Up.
  
• Stephen David Beck:
  The immersive computer-controlled audio sound theater: history and current trends in multi-modal sound diffusion.
  
• Alain Crevoisier, Greg Kellum:
  Multi-touch everywhere!
  
• Masatoshi Hamanaka, SeungHee Lee:
  Sound scope headphones.
  
• Danny Dimian, Karl Herbst:
  Practical uses of a ray tracer for Cloudy with a Chance of Meatballs.
  
• Louis Bavoil, Miguel Sainz:
  Multi-layer dual-resolution screen-space ambient occlusion.
  
• Tae-Joon Kim, Bochang Moon, Duksu Kim, Sung-Eui Yoon:
  RACBVHs: random-accessible compressed bounding volume hierarchies.
  
• Andrew Clinton, Mark Elendt:
  Rendering volumes with microvoxels.
  
• Modesto Castrillón Santana, Pedro A. Jorge, Adrián Macías, Antonio J. Sánchez, Javier Sánchez, José P. Suárez, Agustín Trujillo, Izzat Sabbagh, Ignacio J. López, Rafael J. Nebot:
  Wildfire forecasting using an open source 3D multilayer geographical framework.
  
• Pascal Gautron, Jean-Eudes Marvie, Guillaume François:
  Volumetric shadow mapping.
  
• Fang Liu, Meng-Cheng Huang, Xuehui Liu, Enhua Wu:
  Bucket depth peeling.
  
• Olivier Gourmel, Anthony Pajot, Loïc Barthe, Mathias Paulin, Pierre Poulin:
  BVH for efficient raytracing of dynamic metaballs on GPU.
  
• Michal Iwanicki, Peter-Pike J. Sloan:
  Normal mapping with low-frequency precomputed visibility.
  
• Matt Derksen, Tae-Yong Kim:
  Animation and simulation of octopus arms in 'The Night at the Museum 2'.
  
• Martin Poirier, Eric Paquette:
  Methods for fast skeleton sketching.
  
• Ari Shapiro, Sung-Hee Lee:
  Practical character physics for animators.
  
• Peng Huang, Adrian Hilton:
  Surface motion graphs for character animation from 3D video.
  
• Adrien Bousseau:
  Non-linear aperture for stylized depth of field.
  
• Patrick Lin:
  Shooting up: a trip through the camera structure of up.
  
• Yuji Morimoto, Yuichi Taguchi, Takeshi Naemura:
  Automatic colorization of grayscale images using multiple images on the web.
  
• Mathias Eitz, Kristian Hildebrand, Tamy Boubekeur, Marc Alexa:
  PhotoSketch: a sketch based image query and compositing system.
  
• Paulus Bannink:
  Houdini in a games pipeline.
  
• Dan Moskowitz, Shalin Shodhan, Michael Twardos:
  Spore API: accessing a unique database of player creativity.
  
• Ronah Harris, Cameron L. Fadjo, Eric Carson, Greg Hallman, Michael Swart:
  Creativity in video game design as pedagogy.
  
• Joe Geigel:
  Teaching animation in Second Life.
  
• Darlene Hadrika, Stella Sung:
  Collaborative animation productions using original music in a unique teaching environment.
  
• G. Elisabeta Marai:
  MyWorld4D: introduction to CG with a modeling and simulation twist.
  
• Maribeth Back, Timothy Childs:
  High-tech chocolate: exploring 3D and mobile applications for factories.
  
• Max Grosse, Gordon Wetzstein, Oliver Bimber, Anselm Grundhöfer:
  Adaptive coded aperture projection.
  
• Oliver Bimber, Anselm Grundhöfer, Daniel Kurz, Sebastian Thiele, Ferry Hantsch, Toshiyuki Amano, Daniel Klöck:
  Projected light microscopy.
  
• Yasuaki Kakehi, Junichi Yamaoka, Daisuke Akatsuka, Takeshi Naemura:
  Tablescape animation: a support system for making animations using tabletop physical objects.
  
• David Batte, Michael Fu:
  Clouds with character: Partly Cloudy.
  
• François Chardavoine, Armin Bruderlin:
  The hair motion compositor: compositing dynamic hair animations in a production environment.
  
• Chung-An Lin, Erick Miller, Gene S. Lee:
  iBind: smooth indirect binding using segmented thin-layers.
  
• Evan Goldberg:
  Medial axis techniques for stereoscopic extraction.
  
• Dmitriy Pinskiy, Erick Miller:
  Realistic eye motion using procedural geometric methods.
  
• Meredith McLendon, Ann McNamara, Tim McLaughlin, Ravindra Dwivedi:
  Connecting the dots: discovering what's important for creature motion.
  
• Jie Long, Cory Reimschussel, Ontario Britton, Michael Jones:
  Motion capture for natural tree animation.
  
• Cyril Crassin, Fabrice Neyret, Sylvain Lefebvre, Miguel Sainz, Elmar Eisemann:
  Beyond triangles: gigavoxels effects in video games.
  
• Fang Liu, Meng-Cheng Huang, Xuehui Liu, Enhua Wu:
  Single pass depth peeling via CUDA rasterizer.
  
• Shawn M. Douglas, Hendrik Dietz, Tim Liedl, Björn Högberg, Franziska Graf, Adam H. Marblestone, Surat Teerapittayanon, Alejandro Vazquez, George M. Church, William M. Shih:
  Design and self-assembly of DNA into nanoscale 3D shapes.
  

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