NIME 2004: Hamamatsu, Japan

Paper Session 1

• Sidney Fels, Linda Kaastra, Sachiyo Takahashi, Graeme McCaig:
  Evolving Tooka: from Experiment to Instrument. 1-6
  
• Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Scott Wilson, Perry R. Cook:
  The Electronic Sitar Controller. 7-12
  
• Masami Takahata, Kensuke Shiraki, Yutaka Sakane, Yoichi Takebayashi:
  Sound Feedback for Powerful Karate Training. 13-18
  

Report Session 1

• Martin Kaltenbrunner, Gunter Geiger, Sergi Jordà:
  Dynamic Patching for Live Musical Performance. 19-22
  
• Diana Young, Ichiro Fujinaga:
  Aobachi: A New Interface for Japanese Drumming. 23-26
  

Poster Session 1

• Nick Bryan-Kinns, Patrick G. T. Healey:
  Daisyphone: Support for Remote Music Collaboration. 27-30
  
• Christophe Havel, Myriam Desainte-Catherine:
  Modeling an air percussion for composition and performance. 31-34
  
• Mark J. Nelson, Belinda Thom:
  A Survey of Real-Time MIDI Performance. 35-38
  
• Arshia Cont, Thierry Coduys, Cyrille Henry:
  Real-time Gesture Mapping in Pd Environment using Neural Networks. 39-42
  
• Assaf K. Talmudi:
  The Decentralized Pianola: Evolving Mechanical Music Instruments Using a Genetic Algorithm. 43-46
  
• James Mandelis, Phil Husbands:
  Don't Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings. 47-50
  

Report Session 2

• Judith Shatin, David Topper:
  Tree Music: Composing with GAIA. 51-54
  
• Gideon D'Arcangelo:
  Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music. 55-58
  
• Sergi Jordà:
  Digital Instruments and Players: Part I - Efficiency and Apprenticeship. 59-63
  
• Nikita Pashenkov:
  A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable. 64-67
  

Paper Session 2

• Eric Lee, Teresa Marrin Nakra, Jan Borchers:
  You're The Conductor: A Realistic Interactive Conducting System for Children. 68-73
  
• M. Sile O'Modhrain, Georg Essl:
  PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis. 74-79
  
• Garth Paine:
  Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology. 80-86
  

Report Session 3

• Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle:
  On the Choice of Mappings Based On Geometric Properties. 87-91
  
• Brian Sheehan:
  The Squiggle: A Digital Musical Instrument. 92-95
  

Poster Session 2

• David Gerhard, Daryl H. Hepting, Matthew McKague:
  Exploration of the correspondence between visual and acoustic parameter spaces. 96-99
  
• Chandrasekhar Ramakrishnan, Jason Freeman, Kristjan Varnik, David Birchfield, Phil Burk, Max Neuhaus:
  The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument. 100-103
  
• Homei Miyashita, Kazushi Nishimoto:
  Thermoscore: A New-type Musical Score with Temperature Sensation. 104-107
  
• Stefania Serafin, Diana Young:
  Toward a generalized friction controller: from the bowed string to unusual musical instruments. 108-111
  
• Philippe Stanislas Zaborowski:
  ThumbTec: A New Handheld Input Device. 112-115
  
• Ryan H. Torchia, Cort Lippe:
  Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing. 116-119
  

RENCON Session

• Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose:
  Rencon 2004: Turing Test for Musical Expression. 120-123
  
• Haruhiro Katayose, Keita Okudaira:
  Using an Expressive Performance Template in a Music Conducting Interface. 124-129
  
• Hideki Kawahara, Hideki Banno, Masanori Morise:
  Acappella synthesis demonstrations using RWC music database. 130-131
  

Paper Session 3

• Roger B. Dannenberg:
  Aura II: Making Real-Time Systems Safe for Music. 132-137
  
• Ge Wang, Perry R. Cook:
  "On-the-fly Programming: Using Code as an Expressive Musical Instrument". 138-143
  
• Michael Lew:
  Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance. 144-149
  

Report Session 4

• Cornelius Poepel:
  Synthesized Strings for String Players. 150-153
  
• Atau Tanaka:
  Mobile Music Making. 154-156
  

Poster Session 3

• Emmanuel Fléty:
  Versatile sensor acquisition system utilizing Network Technology. 157-160
  
• Lalya Gaye, Lars Erik Holmquist:
  In Duet with Everyday Urban Settings: A User Study of Sonic City. 161-164
  
• Enrique Franco, Niall J. L. Griffith, Mikael Fernström:
  Issues for Designing a flexible expressive audiovisual system for real-time performance & composition. 165-168
  
• Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons:
  A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models. 169-172
  
• Yoichi Nagashima:
  Measurement of Latency in Interactive Multimedia Art. 173-176
  
• Katsuhisa Ishida, Tetsuro Kitahara, Masayuki Takeda:
  ism: Improvisation Supporting System based on Melody Correction. 177-180
  

Report Session 5

• Eric Singer, Jeff Feddersen, Chad Redmon, Bil Bowen:
  LEMUR's Musical Robots. 181-184
  
• Anthony J. Hornof, Linda Sato:
  EyeMusic: Making Music with the Eyes. 185-188
  
• Mark Argo:
  The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation. 189-192
  
• Matthew Burtner:
  A Theory of Modulated Objects for New Shamanic Controller Design. 193-196
  

Demo Session

• Jean-Marc Pelletier:
  A Shape-Based Approach to Computer Vision Musical Performance Systems. 197-198
  
• Stephen Hughes, Cormac Cannon, M. Sile O'Modhrain:
  Epipe : A Novel Electronic Woodwind Controller. 199-200
  
• Geoffrey C. Morris, Sasha Leitman, Marina Kassianidou:
  SillyTone Squish Factory. 201-202
  
• Hans-Christoph Steiner:
  StickMusic: Using haptic feedback with a phase vocoder. 203-204
  
• Thierry Coduys, Cyrille Henry, Arshia Cont:
  TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor Interfaces. 205-206
  
• Suguru Goto, Takahiko Suzuki:
  The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit". 207-208
  
• Sook Young Won, Humane Chan, Jeremy Liu:
  Light Pipes: A Light Controlled MIDI Instrument. 209-210
  
• Takuro Mizuta Lippit:
  Realtime Sample System for the Turntablist version 2: 16padjoystickcontroller. 211-212
  
• Michael Eyal Sharon:
  The Stranglophone: Enhancing Expressiveness in Live Electronic Music. 213-214
  
• Tomoko Hashida, Yasuaki Kakehi, Takeshi Naemura:
  Ensemble system with i-trace. 215-216
  

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