8. ISMIR 2007: Vienna, Austria

• François Deliège, Torben Bach Pedersen:
  Fuzzy Song Sets for Music Warehouses. 21-26
  
• Wei Peng, Tao Li, Mitsunori Ogihara:
  Music Clustering with Constraints. 27-32
  
• Geoffroy Peeters:
  Sequence Representation of Music Structure Using Higher-Order Similarity Matrix and Maximum-Likelihood Approach. 35-40
  
• Christophe Rhodes, Michael Casey:
  Algorithms for Determining and Labelling Approximate Hierarchical Self-Similarity. 41-46
  
• Meinard Müller, Michael Clausen:
  Transposition-Invariant Self-Similarity Matrices. 47-50
  
• Douglas Turnbull, Gert R. G. Lanckriet, Elias Pampalk, Masataka Goto:
  A Supervised Approach for Detecting Boundaries in Music Using Difference Features and Boosting. 51-54
  
• Alan Marsden:
  Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. 55-58
  
• Thomas Lidy, Andreas Rauber, Antonio Pertusa, José Manuel Iñesta Quereda:
  Improving Genre Classification by Combination of Audio and Symbolic Descriptors Using a Transcription Systems. 61-66
  
• Xiao Hu, J. Stephen Downie:
  Exploring Mood Metadata: Relationships with Genre, Artist and Usage Metadata. 67-72
  
• Alastair J. D. Craft, Geraint A. Wiggins, Tim Crawford:
  How Many Beans Make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Systems. 73-76
  
• Christopher DeCoro, Zafer Barutçuoglu, Rebecca Fiebrink:
  Bayesian Aggregation for Hierarchical Genre Classification. 77-80
  
• Sally Jo Cunningham, David Bainbridge, Dana McKay:
  Finding New Music: A Diary Study of Everyday Encounters with Novel Songs. 83-88
  
• Kazuyoshi Yoshii, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
  Improving Efficiency and Scalability of Model-Based Music Recommender System Based on Incremental Training. 89-94
  
• Amelie Anglade, Marco Tiemann, Fabio Vignoli:
  Virtual Communities for Creating Shared Music Channels. 95-100
  
• Elias Pampalk, Masataka Goto:
  MusicSun: A New Approach to Artist Recommendation. 101-104
  
• Jesper Højvang Jensen, Daniel P. W. Ellis, Mads Græsbøll Christensen, Søren Holdt Jensen:
  Evaluation of Distance Measures Between Gaussian Mixture Models of MFCCs. 107-108
  
• Carlos Gómez, Soraya Abad-Mota, Edna Ruckhaus:
  An Analysis of the Mongeau-Sankoff Algorithm for Music Information Retrieval. 109-110
  
• Alberto Novello, Martin F. McKinney:
  Assessment of Perceptual Music Similarity. 111-112
  
• Cory McKay, Ichiro Fujinaga:
  jWebMiner: A Web-Based Feature Extractor. 113-114
  
• Tim Pohle, Peter Knees, Markus Schedl, Gerhard Widmer:
  Meaningfully Browsing Music Services. 115-116
  
• Markus Schedl, Gerhard Widmer, Tim Pohle, Klaus Seyerlehner:
  Web-Based Detection of Music Band Members and Line-Up. 117-118
  
• Gijs Geleijnse, Jan H. M. Korst:
  Tool Play Live: Dealing with Ambiguity in Artist Similarity Mining from the Web. 119-120
  
• Bin Wei, Chengliang Zhang, Mitsunori Ogihara:
  Keyword Generation for Lyrics. 121-122
  
• Ian Knopke, Donald Byrd:
  Towards Musicdiff: A Foundation for Improved Optical Music Recognition Using Multiple Recognizers. 123-126
  
• Olivier Lartillot, Petri Toiviainen:
  MIR in Matlab (II): A Toolbox for Musical Feature Extraction from Audio. 127-130
  
• Christian Fremerey, Frank Kurth, Meinard Müller, Michael Clausen:
  A Demonstration of the SyncPlayer System. 131-132
  
• Neil J. Hurley, Félix Balado, Elizabeth P. McCarthy, Guenole C. M. Silvestre:
  Performance of Philips Audio Fingerprinting under Desynchronisation. 133-134
  
• Mehryar Mohri, Pedro Moreno, Eugene Weinstein:
  Robust Music Identification, Detection, and Analysis. 135-138
  
• Michaël Betser, Patrice Collen, Jean-Bernard Rault:
  Audio Identification Using Sinusoidal Modeling and Application to Jingle Detection. 139-142
  
• Jérôme Lebossé, Luc Brun:
  Audio Fingerprint Identification by Approximate String Matching. 143-144
  
• Yushen Han, Christopher Raphael:
  Desoloing Monaural Audio Using Mixture Models. 145-148
  
• Juan José Burred, Thomas Sikora:
  Monaural Source Separation from Musical Mixtures Based on Time-Frequency Timbre Models. 149-152
  
• Alberto Pinto, Reinier H. van Leuken, M. Fatih Demirci, Frans Wiering, Remco C. Veltkamp:
  Indexing Music Collections Through Graph Spectra. 153-156
  
• Catherine Lai, Ichiro Fujinaga, David Descheneau, Michael Frishkopf, Jenn Riley, Joseph Hafner, Brian McMillan:
  Metadata Infrastructure for Sound Recordings. 157-158
  
• Christian Landone, Joseph Harrop, Josh Reiss:
  Enabling Access to Sound Archives Through Integration, Enrichment and Retrieval: The EASAIER Project. 159-160
  
• Polina Proutskova:
  Musical Memory of the World - Data Infrastructure in Ethnomusicological Archives. 161-162
  
• Rosana S. G. Lanzelotte, Adriana O. Ballesté, Martha Ulhoa:
  A Digital Collection of Brazilian Lundus. 163-164
  
• Beinan Li, Simon de Leon, Ichiro Fujinaga:
  Alternative Digitization Approach for Stereo Phonograph Records Using Optical Audio Reconstruction. 165-166
  
• Stefan Leitich, Martin Topf:
  Globe of Music - Music Library Visualization Using Geosom. 167-170
  
• Adam R. Tindale, David Sprague, George Tzanetakis:
  Strike-A-Tune: Fuzzy Music Navigation Using a Drum Interface. 171-172
  
• Paul Lamere, Douglas Eck:
  Using 3D Visualizations to Explore and Discover Music. 173-174
  
• Stephen Hitchner, Jennifer Murdoch, George Tzanetakis:
  Music Browsing Using a Tabletop Display. 175-176
  
• Peter Knees:
  Search & Select - Intuitively Retrieving Music from Large Collections. 177-178
  
• Marco Tiemann, Steffen Pauws, Fabio Vignoli:
  Ensemble Learning for Hybrid Music Recommendation. 179-180
  
• Justin Donaldson, Ian Knopke:
  Music Recommendation Mapping and Interface Based on Structural Network Entropy. 181-182
  
• Teemu Tuomas Ahmaniemi:
  Influence of Tempo and Subjective Rating of Music in Step Frequency of Running. 183-184
  
• Daniel McEnnis, Sally Jo Cunningham:
  Sociology and Music Recommendation Systems. 185-186
  
• Arpi Mardirossian, Elaine Chew:
  Visualizing Music: Tonal Progressions and Distributions. 189-194
  
• Özgür Izmirli:
  Localized Key Finding from Audio Using Nonnegative Matrix Factorization for Segmentation. 195-200
  
• Gabi Teodoru, Christopher Raphael:
  Pitch Spelling with Conditionally Independent Voices. 201-206
  
• G. Gatzsche, M. Mehnert, D. Gatzsche, K. Brandenburg:
  A Symmetry Based Approach for Musical Tonality Analysis. 207-210
  
• Luis Gustavo Martins, Juan José Burred, George Tzanetakis, Mathieu Lagrange:
  Polyphonic Instrument Recognition Using Spectral Clustering. 213-218
  
• Olivier Gillet, Gaël Richard:
  Supervised and Unsupervised Sequence Modelling for Drum Transcription. 219-224
  
• Jouni Paulus, Anssi Klapuri:
  Combining Temporal and Spectral Features in HMM-Based Drum Transcription. 225-228
  
• Pierre Roy, François Pachet, Sergio Krakowski:
  Improving the Classification of Percussive Sounds with Analytical Features: A Case Study. 229-232
  
• Pierre Leveau, David Sodoyer, Laurent Daudet:
  Automatic Instrument Recognition in a Polyphonic Mixture Using Sparse Representations. 233-236
  
• Juan Pablo Bello:
  Audio-Based Cover Song Retrieval Using Approximate Chord Sequences: Testing Shifts, Gaps, Swaps and Beats. 239-244
  
• Kyogu Lee, Malcolm Slaney:
  A Unified System for Chord Transcription and Key Extraction Using Hidden Markov Models. 245-250
  
• John Ashley Burgoyne, Laurent Pugin, Corey Kereliuk, Ichiro Fujinaga:
  A Cross-Validated Study of Modelling Strategies for Automatic Chord Recognition in Audio. 251-254
  
• Matthias Mauch, Simon Dixon, Christopher Harte, Michael Casey, Benjamin Fields:
  Discovering Chord Idioms Through Beatles and Real Book Songs. 255-258
  
• Frank Kurth, Meinard Müller, Christian Fremerey, Yoon-ha Chang, Michael Clausen:
  Automated Synchronization of Scanned Sheet Music with Audio Recordings. 261-266
  
• Paul H. Peeling, Ali Taylan Cemgil, Simon J. Godsill:
  A Probabilistic Framework for Matching Music Representations. 267-272
  
• Riccardo Miotto, Nicola Orio:
  A Methodology for the Segmentation and Identification of Music Works. 273-278
  
• Wei You, Roger B. Dannenberg:
  Polyphonic Music Note Onset Detection Using Semi-Supervised Learning. 279-282
  
• Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
  ATTA: Implementing GTTM on a Computer. 285-286
  
• Tillman Weyde, Jens Wissmann, Kerstin Neubarth:
  An Experiment on the Role of Pitch Intervals in Melodic Segmentation. 287-288
  
• Mika Kuuskankare, Mikael Laurson:
  Vivo - Visualizing Harmonic Progressions and Voice-Leading in PWGL. 289-290
  
• Klaus Frieler:
  Visualizing Music on the Metrical Circle. 291-292
  
• Anja Volk, Jörg Garbers, Peter van Kranenburg, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp:
  Applying Rhythmic Similarity Based on Inner Metric Analysis to Folksong Research. 293-296
  
• Iasonas Antonopoulos, Aggelos Pikrakis, Sergios Theodoridis, Olmo Cornelis, Dirk Moelants, Marc Leman:
  Music Retrieval by Rhythmic Similarity Applied on Greek and African Traditional Music. 297-300
  
• Aggelos Pikrakis, Sergios Theodoridis:
  An Application of Empirical Mode Decomposition on Tempo Induction from Music Recordings. 301-304
  
• Ching-Hua Chuan, Elaine Chew:
  A Dynamic Programming Approach to the Extraction of Phrase Boundaries from Tempo Variations in Expressive Performances. 305-308
  
• Xiao Hu, Mert Bay, J. Stephen Downie:
  Creating a Simplified Music Mood Classification Ground-Truth Set. 309-310
  
• Matthias Varewyck, Jean-Pierre Martens:
  Assessment of State-of-the-Art Meter Analysis Systems with an Extended Meter Description Model. 311-314
  
• Arshia Cont, Diemo Schwarz, Norbert Schnell, Christopher Raphael:
  Evaluation of Real-Time Audio-to-Score Alignment. 315-316
  
• Daniel Müllensiefen, David Lewis, Christophe Rhodes, Geraint A. Wiggins:
  Evaluating a Chord-Labelling Algorithm. 317-318
  
• Joan Serrà:
  A Qualitative Assessment of Measures for the Evaluation of a Cover Song Identification System. 319-322
  
• Andreas F. Ehmann, J. Stephen Downie, M. Cameron Jones:
  The Music Information Retrieval Evaluation Exchange ``Do-It-Yourself'' Web Service. 323-324
  
• Jin Ha Lee, J. Stephen Downie, M. Cameron Jones:
  Preliminary Analyses of Information Features Provided by Users for Identifying Music. 325-328
  
• Elizabeth Davis:
  Finding Music in Scholarly Sets and Series: The Index to Printed Music (IPM). 329-330
  
• Alexander Duda, Andreas Nürnberger, Sebastian Stober:
  Towards Query by Singing/Humming on Audio Databases. 331-334
  
• David Little, David Raffensperger, Bryan Pardo:
  A Query by Humming System that Learns from Experience. 335-338
  
• Daniel P. W. Ellis:
  Classifying Music Audio with Timbral and Chroma Features. 339-340
  
• Arthur Flexer:
  A Closer Look on Artist Filters for Musical Genre Classification. 341-344
  
• Janto Skowronek, Martin F. McKinney, Steven van de Par:
  A Demonstrator for Automatic Music Mood Estimation. 345-346
  
• Sten Govaerts, Nik Corthaut, Erik Duval:
  Mood-ex-Machina: Towards Automation of Moody Tunes. 347-350
  
• Ajay Kapur, Graham Percival, Mathieu Lagrange, George Tzanetakis:
  Pedagogical Transcription for Multimodal Sitar Performance. 351-352
  
• Arnaud Moreau, Arthur Flexer:
  Drum Transcription in Polyphonic Music Using Non-Negative Matrix Factorisation. 353-354
  
• Alia Al Kasimi, Eric Nichols, Christopher Raphael:
  A Simple Algorithm for Automatic Generation of Polyphonic Piano Fingerings. 355-356
  
• Karin Dressler, Sebastian Streich:
  Tuning Frequency Estimation Using Circular Statistics. 357-360
  
• Edith L. M. Law, Luis von Ahn, Roger B. Dannenberg, Mike Crawford:
  TagATune: A Game for Music and Sound Annotation. 361-364
  
• Michael I. Mandel, Daniel P. W. Ellis:
  A Web-Based Game for Collecting Music Metadata. 365-366
  
• Douglas Eck, Thierry Bertin-Mahieux, Paul Lamere:
  Autotagging Music Using Supervised Machine Learning. 367-368
  
• Matthias Gruhne, Christian Dittmar, Konstantin Schmidt:
  Phoneme Recognition in Popular Music. 369-370
  
• Yasunori Ohishi, Masataka Goto, Katunobu Itou, Kazuya Takeda:
  A Stochastic Representation of the Dynamics of Sung Melody. 371-372
  
• Chuan Cao, Ming Li, Jian Liu, Yonghong Yan:
  Singing Melody Extraction in Polyphonic Music by Harmonic Tracking. 373-374
  
• Annamaria Mesaros, Tuomas Virtanen, Anssi Klapuri:
  Singer Identification in Polyphonic Music Using Vocal Separation and Pattern Recognition Methods. 375-378
  
• Stanislaw Andrzej Raczynski, Nobutaka Ono, Shigeki Sagayama:
  Multipitch Analysis with Harmonic Nonnegative Matrix Approximation. 381-386
  
• Eric Nichols, Christopher Raphael:
  Automatic Transcription of Music Audio Through Continuous Parameter Tracking. 387-392
  
• Chunghsin Yeh, Niels Bogaards, Axel Röbel:
  Synthesized Polyphonic Music Database with Verifiable Ground Truth for Multiple F0 Estimation. 393-398
  
• Jayme Garcia Arnal Barbedo, Amauri Lopes, Patrick J. Wolfe:
  High Time-Resolution Estimation of Multiple Fundamental Frequencies. 399-402
  
• David A. Torres, Douglas Turnbull, Luke Barrington, Gert R. G. Lanckriet:
  Identifying Words that are Musically Meaningful. 405-410
  
• Mark Levy, Mark Sandler:
  A Semantic Space for Music Derived from Social Tags. 411-416
  
• Yves Raimond, Samer A. Abdallah, Mark B. Sandler, Frederick Giasson:
  The Music Ontology. 417-422
  
• Jean-Julien Aucouturier, François Pachet, Pierre Roy, Anthony Beurivé:
  Signal + Context = Better Classification. 425-430
  
• Parag Chordia, Alex Rae:
  Raag Recognition Using Pitch-Class and Pitch-Class Dyad Distributions. 431-436
  
• Pedro J. Ponce de León, David Rizo, José Manuel Iñesta Quereda:
  Towards a Human-Friendly Melody Characterization by Automatically Induced Rules. 437-440
  
• George Tzanetakis, Randy Jones, Kirk McNally:
  Stereo Panning Features for Classifying Recording Production Style. 441-444
  
• Ioannis Karydis, Alexandros Nanopoulos, Apostolos N. Papadopoulos, Emilios Cambouropoulos:
  VISA: The Voice Integration/Segregation Algorithm. 445-448
  
• Jörg Garbers, Peter van Kranenburg, Anja Volk, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp:
  Using Pitch Stability Among a Group of Aligned Query Melodies to Retrieve Unidentified Variant Melodies. 451-456
  
• Christian André Romming, Eleanor Selfridge-Field:
  Algorithms for Polyphonic Music Retrieval: The Hausdorff Metric and Geometric Hashing. 457-462
  
• Keiichiro Hoashi, Hiromi Ishizaki, Kazunori Matsumoto, Fumiaki Sugaya:
  Content-Based Music Retrieval Using Query Integration for Users with Diverse Preferences. 463-466
  
• Hiromasa Fujihara, Masataka Goto:
  A Music Information Retrieval System Based on Singing Voice Timbre. 467-470
  
• Hamish Allan, Daniel Müllensiefen, Geraint A. Wiggins:
  Methodological Considerations in Studies of Musical Similarity. 473-478
  
• Malcolm Slaney, William White:
  Similarity Based on Rating Data. 479-484
  
• Jeremy Reed, Chin-Hui Lee:
  A Study on Attribute-Based Taxonomy for Music Information Retrieval. 485-490
  
• Wietse Balkema:
  Variable-Size Gaussian Mixture Models for Music Similarity Measures. 491-494
  
• Craig Stuart Sapp:
  Comparative Analysis of Multiple Musical Performances. 497-500
  
• Jürgen Diet, Frank Kurth:
  The Probado Music Repository at the Bavarian State Library. 501-504
  
• Peter van Kranenburg, Jörg Garbers, Anja Volk, Frans Wiering, Louis P. Grijp, Remco C. Veltkamp:
  Towards Integration of MIR and Folk Song Research. 505-508
  
• John Ashley Burgoyne, Laurent Pugin, Greg Eustace, Ichiro Fujinaga:
  A Comparative Survey of Image Binarisation Algorithms for Optical Recognition on Degraded Musical Sources. 509-512
  
• Laurent Pugin, John Ashley Burgoyne, Ichiro Fujinaga:
  MAP Adaptation to Improve Optical Music Recognition of Early Music Documents Using Hidden Markov Models. 513-516
  
• Klaus Seyerlehner, Gerhard Widmer, Dominik Schnitzer:
  From Rhythm Patterns to Perceived Tempo. 519-524
  
• Gijs Geleijnse, Markus Schedl, Peter Knees:
  The Quest for Ground Truth in Musical Artist Tagging in the Social Web Era. 525-530
  
• Mohamed Sordo, Cyril Laurier, Òscar Celma:
  Annotating Music Collections: How Content-Based Similarity Helps to Propagate Labels. 531-534
  
• Douglas Turnbull, Ruoran Liu, Luke Barrington, Gert R. G. Lanckriet:
  A Game-Based Approach for Collecting Semantic Annotations of Music. 535-538
  
• M. Cameron Jones, J. Stephen Downie, Andreas F. Ehmann:
  Human Similarity Judgments: Implications for the Design of Formal Evaluations. 539-542
  

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