8. ISMIR 2007:
Vienna,
Austria
Simon Dixon, David Bainbridge, Rainer Typke (Eds.):
Proceedings of the 8th International Conference on Music Information Retrieval, ISMIR 2007, Vienna, Austria, September 23-27, 2007.
Austrian Computer Society 2007, ISBN 978-3-85403-218-2
- François Deliège, Torben Bach Pedersen:
Fuzzy Song Sets for Music Warehouses.
21-26
- Wei Peng, Tao Li, Mitsunori Ogihara:
Music Clustering with Constraints.
27-32
- Geoffroy Peeters:
Sequence Representation of Music Structure Using Higher-Order Similarity Matrix and Maximum-Likelihood Approach.
35-40
- Christophe Rhodes, Michael Casey:
Algorithms for Determining and Labelling Approximate Hierarchical Self-Similarity.
41-46
- Meinard Müller, Michael Clausen:
Transposition-Invariant Self-Similarity Matrices.
47-50
- Douglas Turnbull, Gert R. G. Lanckriet, Elias Pampalk, Masataka Goto:
A Supervised Approach for Detecting Boundaries in Music Using Difference Features and Boosting.
51-54
- Alan Marsden:
Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis.
55-58
- Thomas Lidy, Andreas Rauber, Antonio Pertusa, José Manuel Iñesta Quereda:
Improving Genre Classification by Combination of Audio and Symbolic Descriptors Using a Transcription Systems.
61-66
- Xiao Hu, J. Stephen Downie:
Exploring Mood Metadata: Relationships with Genre, Artist and Usage Metadata.
67-72
- Alastair J. D. Craft, Geraint A. Wiggins, Tim Crawford:
How Many Beans Make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Systems.
73-76
- Christopher DeCoro, Zafer Barutçuoglu, Rebecca Fiebrink:
Bayesian Aggregation for Hierarchical Genre Classification.
77-80
- Sally Jo Cunningham, David Bainbridge, Dana McKay:
Finding New Music: A Diary Study of Everyday Encounters with Novel Songs.
83-88
- Kazuyoshi Yoshii, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno:
Improving Efficiency and Scalability of Model-Based Music Recommender System Based on Incremental Training.
89-94
- Amelie Anglade, Marco Tiemann, Fabio Vignoli:
Virtual Communities for Creating Shared Music Channels.
95-100
- Elias Pampalk, Masataka Goto:
MusicSun: A New Approach to Artist Recommendation.
101-104
- Jesper Højvang Jensen, Daniel P. W. Ellis, Mads Græsbøll Christensen, Søren Holdt Jensen:
Evaluation of Distance Measures Between Gaussian Mixture Models of MFCCs.
107-108
- Carlos Gómez, Soraya Abad-Mota, Edna Ruckhaus:
An Analysis of the Mongeau-Sankoff Algorithm for Music Information Retrieval.
109-110
- Alberto Novello, Martin F. McKinney:
Assessment of Perceptual Music Similarity.
111-112
- Cory McKay, Ichiro Fujinaga:
jWebMiner: A Web-Based Feature Extractor.
113-114
- Tim Pohle, Peter Knees, Markus Schedl, Gerhard Widmer:
Meaningfully Browsing Music Services.
115-116
- Markus Schedl, Gerhard Widmer, Tim Pohle, Klaus Seyerlehner:
Web-Based Detection of Music Band Members and Line-Up.
117-118
- Gijs Geleijnse, Jan H. M. Korst:
Tool Play Live: Dealing with Ambiguity in Artist Similarity Mining from the Web.
119-120
- Bin Wei, Chengliang Zhang, Mitsunori Ogihara:
Keyword Generation for Lyrics.
121-122
- Ian Knopke, Donald Byrd:
Towards Musicdiff: A Foundation for Improved Optical Music Recognition Using Multiple Recognizers.
123-126
- Olivier Lartillot, Petri Toiviainen:
MIR in Matlab (II): A Toolbox for Musical Feature Extraction from Audio.
127-130
- Christian Fremerey, Frank Kurth, Meinard Müller, Michael Clausen:
A Demonstration of the SyncPlayer System.
131-132
- Neil J. Hurley, Félix Balado, Elizabeth P. McCarthy, Guenole C. M. Silvestre:
Performance of Philips Audio Fingerprinting under Desynchronisation.
133-134
- Mehryar Mohri, Pedro Moreno, Eugene Weinstein:
Robust Music Identification, Detection, and Analysis.
135-138
- Michaël Betser, Patrice Collen, Jean-Bernard Rault:
Audio Identification Using Sinusoidal Modeling and Application to Jingle Detection.
139-142
- Jérôme Lebossé, Luc Brun:
Audio Fingerprint Identification by Approximate String Matching.
143-144
- Yushen Han, Christopher Raphael:
Desoloing Monaural Audio Using Mixture Models.
145-148
- Juan José Burred, Thomas Sikora:
Monaural Source Separation from Musical Mixtures Based on Time-Frequency Timbre Models.
149-152
- Alberto Pinto, Reinier H. van Leuken, M. Fatih Demirci, Frans Wiering, Remco C. Veltkamp:
Indexing Music Collections Through Graph Spectra.
153-156
- Catherine Lai, Ichiro Fujinaga, David Descheneau, Michael Frishkopf, Jenn Riley, Joseph Hafner, Brian McMillan:
Metadata Infrastructure for Sound Recordings.
157-158
- Christian Landone, Joseph Harrop, Josh Reiss:
Enabling Access to Sound Archives Through Integration, Enrichment and Retrieval: The EASAIER Project.
159-160
- Polina Proutskova:
Musical Memory of the World - Data Infrastructure in Ethnomusicological Archives.
161-162
- Rosana S. G. Lanzelotte, Adriana O. Ballesté, Martha Ulhoa:
A Digital Collection of Brazilian Lundus.
163-164
- Beinan Li, Simon de Leon, Ichiro Fujinaga:
Alternative Digitization Approach for Stereo Phonograph Records Using Optical Audio Reconstruction.
165-166
- Stefan Leitich, Martin Topf:
Globe of Music - Music Library Visualization Using Geosom.
167-170
- Adam R. Tindale, David Sprague, George Tzanetakis:
Strike-A-Tune: Fuzzy Music Navigation Using a Drum Interface.
171-172
- Paul Lamere, Douglas Eck:
Using 3D Visualizations to Explore and Discover Music.
173-174
- Stephen Hitchner, Jennifer Murdoch, George Tzanetakis:
Music Browsing Using a Tabletop Display.
175-176
- Peter Knees:
Search & Select - Intuitively Retrieving Music from Large Collections.
177-178
- Marco Tiemann, Steffen Pauws, Fabio Vignoli:
Ensemble Learning for Hybrid Music Recommendation.
179-180
- Justin Donaldson, Ian Knopke:
Music Recommendation Mapping and Interface Based on Structural Network Entropy.
181-182
- Teemu Tuomas Ahmaniemi:
Influence of Tempo and Subjective Rating of Music in Step Frequency of Running.
183-184
- Daniel McEnnis, Sally Jo Cunningham:
Sociology and Music Recommendation Systems.
185-186
- Arpi Mardirossian, Elaine Chew:
Visualizing Music: Tonal Progressions and Distributions.
189-194
- Özgür Izmirli:
Localized Key Finding from Audio Using Nonnegative Matrix Factorization for Segmentation.
195-200
- Gabi Teodoru, Christopher Raphael:
Pitch Spelling with Conditionally Independent Voices.
201-206
- G. Gatzsche, M. Mehnert, D. Gatzsche, K. Brandenburg:
A Symmetry Based Approach for Musical Tonality Analysis.
207-210
- Luis Gustavo Martins, Juan José Burred, George Tzanetakis, Mathieu Lagrange:
Polyphonic Instrument Recognition Using Spectral Clustering.
213-218
- Olivier Gillet, Gaël Richard:
Supervised and Unsupervised Sequence Modelling for Drum Transcription.
219-224
- Jouni Paulus, Anssi Klapuri:
Combining Temporal and Spectral Features in HMM-Based Drum Transcription.
225-228
- Pierre Roy, François Pachet, Sergio Krakowski:
Improving the Classification of Percussive Sounds with Analytical Features: A Case Study.
229-232
- Pierre Leveau, David Sodoyer, Laurent Daudet:
Automatic Instrument Recognition in a Polyphonic Mixture Using Sparse Representations.
233-236
- Juan Pablo Bello:
Audio-Based Cover Song Retrieval Using Approximate Chord Sequences: Testing Shifts, Gaps, Swaps and Beats.
239-244
- Kyogu Lee, Malcolm Slaney:
A Unified System for Chord Transcription and Key Extraction Using Hidden Markov Models.
245-250
- John Ashley Burgoyne, Laurent Pugin, Corey Kereliuk, Ichiro Fujinaga:
A Cross-Validated Study of Modelling Strategies for Automatic Chord Recognition in Audio.
251-254
- Matthias Mauch, Simon Dixon, Christopher Harte, Michael Casey, Benjamin Fields:
Discovering Chord Idioms Through Beatles and Real Book Songs.
255-258
- Frank Kurth, Meinard Müller, Christian Fremerey, Yoon-ha Chang, Michael Clausen:
Automated Synchronization of Scanned Sheet Music with Audio Recordings.
261-266
- Paul H. Peeling, Ali Taylan Cemgil, Simon J. Godsill:
A Probabilistic Framework for Matching Music Representations.
267-272
- Riccardo Miotto, Nicola Orio:
A Methodology for the Segmentation and Identification of Music Works.
273-278
- Wei You, Roger B. Dannenberg:
Polyphonic Music Note Onset Detection Using Semi-Supervised Learning.
279-282
- Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
ATTA: Implementing GTTM on a Computer.
285-286
- Tillman Weyde, Jens Wissmann, Kerstin Neubarth:
An Experiment on the Role of Pitch Intervals in Melodic Segmentation.
287-288
- Mika Kuuskankare, Mikael Laurson:
Vivo - Visualizing Harmonic Progressions and Voice-Leading in PWGL.
289-290
- Klaus Frieler:
Visualizing Music on the Metrical Circle.
291-292
- Anja Volk, Jörg Garbers, Peter van Kranenburg, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp:
Applying Rhythmic Similarity Based on Inner Metric Analysis to Folksong Research.
293-296
- Iasonas Antonopoulos, Aggelos Pikrakis, Sergios Theodoridis, Olmo Cornelis, Dirk Moelants, Marc Leman:
Music Retrieval by Rhythmic Similarity Applied on Greek and African Traditional Music.
297-300
- Aggelos Pikrakis, Sergios Theodoridis:
An Application of Empirical Mode Decomposition on Tempo Induction from Music Recordings.
301-304
- Ching-Hua Chuan, Elaine Chew:
A Dynamic Programming Approach to the Extraction of Phrase Boundaries from Tempo Variations in Expressive Performances.
305-308
- Xiao Hu, Mert Bay, J. Stephen Downie:
Creating a Simplified Music Mood Classification Ground-Truth Set.
309-310
- Matthias Varewyck, Jean-Pierre Martens:
Assessment of State-of-the-Art Meter Analysis Systems with an Extended Meter Description Model.
311-314
- Arshia Cont, Diemo Schwarz, Norbert Schnell, Christopher Raphael:
Evaluation of Real-Time Audio-to-Score Alignment.
315-316
- Daniel Müllensiefen, David Lewis, Christophe Rhodes, Geraint A. Wiggins:
Evaluating a Chord-Labelling Algorithm.
317-318
- Joan Serrà:
A Qualitative Assessment of Measures for the Evaluation of a Cover Song Identification System.
319-322
- Andreas F. Ehmann, J. Stephen Downie, M. Cameron Jones:
The Music Information Retrieval Evaluation Exchange ``Do-It-Yourself'' Web Service.
323-324
- Jin Ha Lee, J. Stephen Downie, M. Cameron Jones:
Preliminary Analyses of Information Features Provided by Users for Identifying Music.
325-328
- Elizabeth Davis:
Finding Music in Scholarly Sets and Series: The Index to Printed Music (IPM).
329-330
- Alexander Duda, Andreas Nürnberger, Sebastian Stober:
Towards Query by Singing/Humming on Audio Databases.
331-334
- David Little, David Raffensperger, Bryan Pardo:
A Query by Humming System that Learns from Experience.
335-338
- Daniel P. W. Ellis:
Classifying Music Audio with Timbral and Chroma Features.
339-340
- Arthur Flexer:
A Closer Look on Artist Filters for Musical Genre Classification.
341-344
- Janto Skowronek, Martin F. McKinney, Steven van de Par:
A Demonstrator for Automatic Music Mood Estimation.
345-346
- Sten Govaerts, Nik Corthaut, Erik Duval:
Mood-ex-Machina: Towards Automation of Moody Tunes.
347-350
- Ajay Kapur, Graham Percival, Mathieu Lagrange, George Tzanetakis:
Pedagogical Transcription for Multimodal Sitar Performance.
351-352
- Arnaud Moreau, Arthur Flexer:
Drum Transcription in Polyphonic Music Using Non-Negative Matrix Factorisation.
353-354
- Alia Al Kasimi, Eric Nichols, Christopher Raphael:
A Simple Algorithm for Automatic Generation of Polyphonic Piano Fingerings.
355-356
- Karin Dressler, Sebastian Streich:
Tuning Frequency Estimation Using Circular Statistics.
357-360
- Edith L. M. Law, Luis von Ahn, Roger B. Dannenberg, Mike Crawford:
TagATune: A Game for Music and Sound Annotation.
361-364
- Michael I. Mandel, Daniel P. W. Ellis:
A Web-Based Game for Collecting Music Metadata.
365-366
- Douglas Eck, Thierry Bertin-Mahieux, Paul Lamere:
Autotagging Music Using Supervised Machine Learning.
367-368
- Matthias Gruhne, Christian Dittmar, Konstantin Schmidt:
Phoneme Recognition in Popular Music.
369-370
- Yasunori Ohishi, Masataka Goto, Katunobu Itou, Kazuya Takeda:
A Stochastic Representation of the Dynamics of Sung Melody.
371-372
- Chuan Cao, Ming Li, Jian Liu, Yonghong Yan:
Singing Melody Extraction in Polyphonic Music by Harmonic Tracking.
373-374
- Annamaria Mesaros, Tuomas Virtanen, Anssi Klapuri:
Singer Identification in Polyphonic Music Using Vocal Separation and Pattern Recognition Methods.
375-378
- Stanislaw Andrzej Raczynski, Nobutaka Ono, Shigeki Sagayama:
Multipitch Analysis with Harmonic Nonnegative Matrix Approximation.
381-386
- Eric Nichols, Christopher Raphael:
Automatic Transcription of Music Audio Through Continuous Parameter Tracking.
387-392
- Chunghsin Yeh, Niels Bogaards, Axel Röbel:
Synthesized Polyphonic Music Database with Verifiable Ground Truth for Multiple F0 Estimation.
393-398
- Jayme Garcia Arnal Barbedo, Amauri Lopes, Patrick J. Wolfe:
High Time-Resolution Estimation of Multiple Fundamental Frequencies.
399-402
- David A. Torres, Douglas Turnbull, Luke Barrington, Gert R. G. Lanckriet:
Identifying Words that are Musically Meaningful.
405-410
- Mark Levy, Mark Sandler:
A Semantic Space for Music Derived from Social Tags.
411-416
- Yves Raimond, Samer A. Abdallah, Mark B. Sandler, Frederick Giasson:
The Music Ontology.
417-422
- Jean-Julien Aucouturier, François Pachet, Pierre Roy, Anthony Beurivé:
Signal + Context = Better Classification.
425-430
- Parag Chordia, Alex Rae:
Raag Recognition Using Pitch-Class and Pitch-Class Dyad Distributions.
431-436
- Pedro J. Ponce de León, David Rizo, José Manuel Iñesta Quereda:
Towards a Human-Friendly Melody Characterization by Automatically Induced Rules.
437-440
- George Tzanetakis, Randy Jones, Kirk McNally:
Stereo Panning Features for Classifying Recording Production Style.
441-444
- Ioannis Karydis, Alexandros Nanopoulos, Apostolos N. Papadopoulos, Emilios Cambouropoulos:
VISA: The Voice Integration/Segregation Algorithm.
445-448
- Jörg Garbers, Peter van Kranenburg, Anja Volk, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp:
Using Pitch Stability Among a Group of Aligned Query Melodies to Retrieve Unidentified Variant Melodies.
451-456
- Christian André Romming, Eleanor Selfridge-Field:
Algorithms for Polyphonic Music Retrieval: The Hausdorff Metric and Geometric Hashing.
457-462
- Keiichiro Hoashi, Hiromi Ishizaki, Kazunori Matsumoto, Fumiaki Sugaya:
Content-Based Music Retrieval Using Query Integration for Users with Diverse Preferences.
463-466
- Hiromasa Fujihara, Masataka Goto:
A Music Information Retrieval System Based on Singing Voice Timbre.
467-470
- Hamish Allan, Daniel Müllensiefen, Geraint A. Wiggins:
Methodological Considerations in Studies of Musical Similarity.
473-478
- Malcolm Slaney, William White:
Similarity Based on Rating Data.
479-484
- Jeremy Reed, Chin-Hui Lee:
A Study on Attribute-Based Taxonomy for Music Information Retrieval.
485-490
- Wietse Balkema:
Variable-Size Gaussian Mixture Models for Music Similarity Measures.
491-494
- Craig Stuart Sapp:
Comparative Analysis of Multiple Musical Performances.
497-500
- Jürgen Diet, Frank Kurth:
The Probado Music Repository at the Bavarian State Library.
501-504
- Peter van Kranenburg, Jörg Garbers, Anja Volk, Frans Wiering, Louis P. Grijp, Remco C. Veltkamp:
Towards Integration of MIR and Folk Song Research.
505-508
- John Ashley Burgoyne, Laurent Pugin, Greg Eustace, Ichiro Fujinaga:
A Comparative Survey of Image Binarisation Algorithms for Optical Recognition on Degraded Musical Sources.
509-512
- Laurent Pugin, John Ashley Burgoyne, Ichiro Fujinaga:
MAP Adaptation to Improve Optical Music Recognition of Early Music Documents Using Hidden Markov Models.
513-516
- Klaus Seyerlehner, Gerhard Widmer, Dominik Schnitzer:
From Rhythm Patterns to Perceived Tempo.
519-524
- Gijs Geleijnse, Markus Schedl, Peter Knees:
The Quest for Ground Truth in Musical Artist Tagging in the Social Web Era.
525-530
- Mohamed Sordo, Cyril Laurier, Òscar Celma:
Annotating Music Collections: How Content-Based Similarity Helps to Propagate Labels.
531-534
- Douglas Turnbull, Ruoran Liu, Luke Barrington, Gert R. G. Lanckriet:
A Game-Based Approach for Collecting Semantic Annotations of Music.
535-538
- M. Cameron Jones, J. Stephen Downie, Andreas F. Ehmann:
Human Similarity Judgments: Implications for the Design of Formal Evaluations.
539-542
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