2. ICIDS 2009: Guimarães, Portugal

Invited Perspectives on Interactive Digital Storytelling

• Caitlin Kelleher:
  Supporting Storytelling in a Programming Environment for Middle School Children. 1-4
  
• António S. Câmara:
  Purple Rose of Cairo in Reverse. 5
  
• Frank Nack:
  The World Is My Oyster - Mobility as a Challenge for Interactive Storytelling. 6-7
  
• Marc Cavazza, Ronan Champagnat, Riccardo Leonardi:
  The IRIS Network of Excellence: Future Directions in Interactive Storytelling. 8-13
  

Evaluation, Experiencing, and Case Studies

• Nicoletta Di Blas, Franca Garzotto, Paolo Paolini, Amalia Sabiescu:
  Digital Storytelling as a Whole-Class Learning Activity: Lessons from a Three-Years Project. 14-25
  
• Arnav Jhala, R. Michael Young:
  Comparing Effects of Different Cinematic Visualization Strategies on Viewer Comprehension. 26-37
  
• Christian Roth, Peter Vorderer, Christoph Klimmt:
  The Motivational Appeal of Interactive Storytelling: Towards a Dimensional Model of the User Experience. 38-43
  
• Noam Knoller, Udi Ben-Arie:
  Turbulence - A User Study of a Hypernarrative Interactive Movie. 44-49
  

Authoring Tools and the Creation Process

• Ulrike Spierling, Nicolas Szilas:
  Authoring Issues beyond Tools. 50-61
  
• Ivo Swartjes, Mariët Theune:
  Iterative Authoring Using Story Generation Feedback: Debugging or Co-creation? 62-73
  
• Kaoru Sumi:
  Interactive Storytelling System Using Recycle-Based Story Knowledge. 74-85
  
• Cyril Brom, Michal Bída, Jakub Gemrot, Rudolf Kadlec, Tomás Plch:
  Emohawk: Searching for a "Good" Emergent Narrative. 86-91
  
• Daragh Byrne, Gareth J. F. Jones:
  Exploring Narrative Presentation for Large Multimodal Lifelog Collections through Card Sorting. 92-97
  

Games and Story

• Alex Mitchell, Kevin McGee:
  Designing Storytelling Games That Encourage Narrative Play. 98-108
  
• Martin Van Velsen, Josh Williams, Gustav Verhulsdonck:
  Table-Top Gaming Narratology for Digital Interactive Storytelling. 109-120
  
• Guylain Delmas, Ronan Champagnat, Michel Augeraud:
  From Tabletop RPG to Interactive Storytelling: Definition of a Story Manager for Videogames. 121-126
  
• Swen E. Gaudl, Klaus P. Jantke, Christian Woelfert:
  The Good, the Bad and the Ugly: Short Stories in Short Game Play. 127-133
  
• Ekaterina Kurdyukova, Elisabeth André, Karin Leichtenstern:
  Introducing Multiple Interaction Devices to Interactive Storytelling: Experiences from Practice. 134-139
  

Theoretical Perspectives

• Allan Baumer, Brian Magerko:
  Narrative Development in Improvisational Theatre. 140-151
  
• Udi Ben-Arie:
  The Narrative-Communication Structure in Interactive Narrative Works. 152-162
  
• Jacquelene Drinkall:
  Traumaculture and Telepathetic Cyber Fiction. 163-173
  
• Silvia Laurentiz:
  Digital Poetry: A Narrow Relation between Poetics and the Codes of the Computational Logic. 174-178
  
• David Thue, Vadim Bulitko, Marcia Spetch, Michael Webb:
  Exaggerated Claims for Interactive Stories. 179-184
  

Tools, Applications and Frameworks

• Daniela Kuka, Oliver Elias, Ronald Martins, Christopher Lindinger, Andreas Pramböck, Andreas Jalsovec, Pascal Maresch, Horst Hörtner, Peter Brandl:
  DEEP SPACE: High Resolution VR Platform for Multi-user Interactive Narratives. 185-196
  
• Ana Respício, Carlos Teixeira:
  Playing Sub-stories from Complex Movies. 197-208
  
• Oliviero Stock, Charles B. Callaway:
  Multiple Coordinated Mobile Narratives as a Catalyst for Face-to-Face Group Conversation. 209-220
  

Narrative Control and Drama Management

• Mei Si, Stacy C. Marsella, David V. Pynadath:
  Directorial Control in a Decision-Theoretic Framework for Interactive Narrative. 221-233
  
• Julie Porteous, Marc Cavazza:
  Controlling Narrative Generation with Planning Trajectories: The Role of Constraints. 234-245
  
• Andrea Corradini, Manish Mehta, Santiago Ontañón:
  Evaluation of a Drama Manager Agent for an Interactive Story-Based Game. 246-257
  
• Birgit Endraß, Michael Boegler, Nikolaus Bee, Elisabeth André:
  What Would You Do in Their Shoes? Experiencing Different Perspectives in an Interactive Drama for Multiple Users. 258-268
  

Approaching Novel Perspectives and Experiences

• Michael Nitsche, Matthew Drake, Janet Murray:
  Bridging Media with the Help of Players. 269-279
  
• Nicolas Szilas, Monica Axelrad:
  To Be or Not to Be: Towards Stateless Interactive Drama. 280-291
  
• Ulrike Spierling:
  Conceiving Interactive Story Events. 292-297
  
• Johanna Gampe:
  Interactive Narration within Audio Augmented Realities. 298-303
  

Posters

• Byung-Chull Bae, R. Michael Young:
  Suspense? Surprise! or How to Generate Stories with Surprise Endings by Exploiting the Disparity of Knowledge between a Story's Reader and Its Characters. 304-307
  
• Klaus P. Jantke:
  The Evolution of Story Spaces of Digital Games beyond the Limits of Linearity and Monotonicity. 308-311
  
• Adam Fitzgerald, Gurlal Kahlon, Mark O. Riedl:
  A Computational Model of Emotional Response to Stories. 312-315
  
• Florian Berger, Wolfgang Müller:
  Adaptivity in Game-Based Learning: A New Perspective on Story. 316-319
  
• Alysson K. Morelli, Gabriel C. Chaves, Tiago M. Belchior:
  Digital Video and Interactivity. 320-323
  

Demonstrations

• Reid Swanson, Andrew S. Gordon:
  Say Anything: A Demonstration of Open Domain Interactive Digital Storytelling. 324-327
  
• Sarah Atkinson:
  An Interactive Film Demonstration: Crossed Lines. 328-331
  
• Sasha A. Barab, Tyler Dodge, Adam Ingram-Goble, Charlene Volk, Kylie A. Peppler, Patrick Pettyjohn, Maria Solomou:
  Pedagogical Dramas and Transformational Play: Realizing Narrative through Videogames Design. 332-335
  
• Deborah Tuck, Iryna Kuksa:
  Virtual Heritage Tours: Developing Interactive Narrative-Based Environments for Historical Sites. 336-339
  
• Martin Rieser, Pia Tikka:
  The Third Woman. 340-343
  
• Yoonji Kim, Taeksoo Chun, Gunho Chae, Hojoon Ji, Woon Seung Yeo:
  Design and Implementation of the Interactive Space for Digital Storytelling (ISDS): The Cocktail Party. 344-347
  

Workshops

• Cyril Brom, Michal Bída:
  Creating 3D Virtual Characters for Games and Storytelling Applications in a Few Easy Steps. 348-349
  
• David Oyarzun, Amalia Ortiz, Maria del Puy Carretero, Alex García-Alonso:
  Creating the Goodies and Baddies of the Story: Specification of an Interoperable and Reusable Avatar Identity. 350-351
  
• Florian Berger, Alexander Marbach, Jana Jevická:
  Hands-on Interactive Storytelling Techniques. 352-353
  
• Hartmut Koenitz, Mads Haahr, Gabriele Ferri, Tonguc Ibrahim Sezen:
  Do We Need a New Narratology for Interactive Digital Storytelling? A Workshop on Theory at ICIDS 2009. 354-355
  
• Ulrike Spierling, Ido Iurgel, Urs Richle, Nicolas Szilas:
  Workshop on Authoring Methods and Conception in Interactive Storytelling. 356-357
  

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