HAID 2008: Jyväskylä, Finland

Antti Pirhonen, Stephen A. Brewster (Eds.): Haptic and Audio Interaction Design, Third International Workshop, HAID 2008, Jyväskylä, Finland, September 15-16, 2008, Proceedings. Lecture Notes in Computer Science 5270 Springer 2008, ISBN 978-3-540-87882-7

Visual Impairment

Martin Pielot, Niels Henze, Wilko Heuten, Susanne Boll:
Evaluation of Continuous Direction Encoding with Tactile Belts. 1-10
Erika Tanhua-Piiroinen, Virpi Pasto, Roope Raisamo, Eva-Lotta Sallnäs:
Supporting Collaboration between Visually Impaired and Sighted Children in a Multimodal Learning Environment. 11-20

Ricardo Pedrosa, Karon E. MacLean:
Perceptually Informed Roles for Haptic Feedback in Expressive Music Controllers. 21-29
Otniel Portillo-Rodríguez, Oscar O. Sandoval-Gonzalez, Emanuele Ruffaldi, Rosario Leonardi, Carlo Alberto Avizzano, Massimo Bergamasco:
Real-Time Gesture Recognition, Evaluation and Feed-Forward Correction of a Multimodal Tai-Chi Platform. 30-39
Victor V. Kryssanov, Shizuka Kumokawa, Igor Goncharenko, Hitoshi Ogawa:
A System for Multimodal Exploration of Social Spaces. 40-49

Richard Hall, Hemang Rathod, Mauro Maiorca, Ioanna Ioannou, Edmund Kazmierczak, Stephen O'Leary, Peter Harris:
Towards Haptic Performance Analysis Using K-Metrics. 50-59
Tiago Reis, Marco de Sá, Luís Carriço:
Multimodal Interaction: Real Context Studies on Mobile Digital Artefacts. 60-69

Angela Chang, Conor O'Sullivan:
An Audio-Haptic Aesthetic Framework Influenced by Visual Theory. 70-80
Antti Pirhonen, Kai Tuuri:
In Search for an Integrated Design Basis for Audio and Haptics. 81-90

Thomas Hermann, Risto Koiva:
tacTilesfor Ambient Intelligence and Interactive Sonification. 91-101
Delphine Devallez, Davide Rocchesso, Federico Fontana:
An Audio-Haptic Interface Concept Based on Depth Information. 102-110

Maria Jokiniemi, Roope Raisamo, Jani Lylykangas, Veikko Surakka:
Crossmodal Rhythm Perception. 111-119
M. Ercan Altinsoy:
The Effect of Auditory Cues on the Audiotactile Roughness Perception: Modulation Frequency and Sound Pressure Level. 120-129

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