7. CMMR 2010: Málaga, Spain

Music Production, Interaction and Composition Tools

• Simon Dixon, Matthias Mauch, Amelie Anglade:
  Probabilistic and Logic-Based Modelling of Harmony. 1-19
  
• Rebecca Stewart, Panos Kudumakis, Mark Sandler:
  Interactive Music Applications and Standards. 20-30
  
• Sylvain Marchand, Boris Mansencal, Laurent Girin:
  Interactive Music with Active Audio CDs. 31-50
  
• Kristoffer Jensen:
  Pitch Gestures in Generative Modeling of Music. 51-59
  

Music Structure Analysis - Sound Source Separation

• Marco Liuni, Axel Röbel, Marco Romito, Xavier Rodet:
  An Entropy Based Method for Local Time-Adaptation of the Spectrogram. 60-75
  
• Pete Bunch, Simon J. Godsill:
  Transcription of Musical Audio Using Poisson Point Processes and Sequential MCMC. 76-83
  
• Wenwu Wang, Hafiz Mustafa:
  Single Channel Music Sound Separation Based on Spectrogram Decomposition and Note Classification. 84-101
  
• Cédric Févotte, Alexey Ozerov:
  Notes on Nonnegative Tensor Factorization of the Spectrogram for Audio Source Separation: Statistical Insights and Towards Self-Clustering of the Spatial Cues. 102-115
  

Auditory Perception, Artificial Intelligence and Cognition

• Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Andrés Ortiz, Simone Sammartino, Cristina de la Bandera:
  What Signal Processing Can Do for the Music. 116-137
  
• Mathieu Barthet, Steven Hargreaves, Mark Sandler:
  Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition. 138-162
  
• Jesús L. Alvaro, Beatriz Barros:
  Computer Music Cloud. 163-175
  
• Adrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki:
  Abstract Sounds and Their Applications in Audio and Perception Research. 176-187
  

Analysis and Data Mining

• Anssi Klapuri:
  Pattern Induction and Matching in Music Signals. 188-204
  
• Marco Marchini, Hendrik Purwins:
  Unsupervised Analysis and Generation of Audio Percussion Sequences. 205-218
  
• Tan Hakan Özaslan, Enric Guaus, Eric Palacios, Josep Lluís Arcos:
  Identifying Attack Articulations in Classical Guitar. 219-241
  
• W. B. de Haas, Matthias Robine, Pierre Hanna, Remco C. Veltkamp, Frans Wiering:
  Comparing Approaches to the Similarity of Musical Chord Sequences. 242-258
  

MIR - Music Libraries

• Christian Dittmar, Holger Großmann, Estefanía Cano, Sascha Grollmisch, Hanna M. Lukashevich, Jakob Abeßer:
  Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunhofer IDMT. 259-272
  
• Sebastian Stober, Andreas Nürnberger:
  MusicGalaxy: A Multi-focus Zoomable Interface for Multi-facet Exploration of Music Collections. 273-302
  
• Philippe Rigaux, Zoé Faget:
  A Database Approach to Symbolic Music Content Management. 303-320
  
• Mikko Karvonen, Mika Laitinen, Kjell Lemström, Juho Vikman:
  Error-Tolerant Content-Based Music-Retrieval with Mathematical Morphology. 321-337
  
• Julián Urbano, Juan Lloréns, Jorge Morato, Sonia Sánchez-Cuadrado:
  Melodic Similarity through Shape Similarity. 338-355
  
• Dirk Schönfuß:
  Content-Based Music Discovery. 356-360
  

Last update Thu May 24 04:15:00 2012 CET by the DBLP Team — Data released under the ODC-BY 1.0 license — See also our legal information page