5. CMMR 2008: Copenhagen, Denmark

Sølvi Ystad, Richard Kronland-Martinet, Kristoffer Jensen (Eds.): Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 5th International Symposium, CMMR 2008, Copenhagen, Denmark, May 19-23, 2008, Revised Papers. Lecture Notes in Computer Science 5493 Springer 2009, ISBN 978-3-642-02517-4

1 Retrieving the Meaning

Mitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet, Sølvi Ystad:
Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches. 1-17
Albrecht Schneider, Klaus Frieler:
Perception of Harmonic and Inharmonic Sounds: Results from Ear Models. 18-44
Michael Kai Petersen, Lars Kai Hansen, Andrius Butkus:
Semantic Contours in Tracks Based on Emotional Tags. 45-66
Rolf Inge Godøy:
Chunking Sound for Musical Analysis. 67-80
Kristoffer Jensen, Ole Kühl:
Towards a Model of Musical Chunks. 81-92
Leen De Bruyn, Marc Leman, Dirk Moelants, Michiel Demey:
Does Social Interaction Activate Music Listeners?. 93-106
Kurt Jacobson, Mark B. Sandler:
Musically Meaningful or Just Noise? An Analysis of On-line Artist Networks. 107-118

José Fornari, Tuomas Eerola:
The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors. 119-133
Mitsuko Aramaki, Loïc Brancheriau, Richard Kronland-Martinet, Sølvi Ystad:
Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives. 134-146
Sebastian Ewert, Meinard Müller:
Refinement Strategies for Music Synchronization. 147-165
Jouni Paulus, Anssi Klapuri:
Labelling the Structural Parts of a Music Piece with Markov Models. 166-176
David Rizo, Kjell Lemström, José Manuel Iñesta Quereda:
Tree Representation in Combined Polyphonic Music Comparison. 177-195
Cihan Isikhan, Adil Alpkocak, Yetkin Ozer:
Interval Distinction on Melody Perception for Music Information Retrieval. 196-206
Mehdi Naccache, Amel Borgi, Khaled Ghédira:
A Learning-Based Model for Musical Data Representation Using Histograms. 207-215

Jeffrey M. Morris:
Ontological Substance and Meaning in Live Electroacoustic Music. 216-226
Palle Dahlstedt:
Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation. 227-242
Jean Penny:
Amplified Breath - (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity. 243-252
Kilian Sprotte, Mikael Laurson, Mika Kuuskankare:
KSQuant - Complex Score Manipulation in PWGL through Quantization. 253-261
Mika Kuuskankare, Mikael Laurson:
Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP. 262-271
Adriano Baratè, Luca A. Ludovico, Alberto Pinto:
An IEEE 1599-Based Interface for Score Analysis. 272-282
Else Marie Pade:
New Music in the Atomic Age. 283-284

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