Ernest A. Edmonds, Linda Candy (Eds.):
Proceedings of the 3rd Conference on Creativity & Cognition, Loughborough, United Kingdom, October 11-13, 1999.
ACM 1999, ISBN 1-58113-078-3 
- Linda Candy, Ernest A. Edmonds:
Introducing creativity to cognition.
3-6
- Marvin Minsky:
The emotion machine: from pain to suffering.
7-13
- Harold Cohen:
A self-defining game for one player.
14
- Ben Shneiderman:
User interfaces for creativity support tools.
15-22
- Stelarc:
From zombies to cyborg bodies: exoskeleton, extra ear and avatars.
23
- Thomas T. Hewett:
Cognitive factors in design (tutorial session): basic phenomena in human memory and problem solving.
26-27
- Terryl Bacon, Martin Rieser, Constance Fleuriot, Priscilla Heard, Glenn Easy:
Do engineers and artists make good love objects ? (panel session).
28-29
- Nigel Birch, James Plummer, Geraint A. Wiggins, Bronac Ferran, Robin Lyons:
Nurturing creativity (panel session).
30-35
- Ernest A. Edmonds, Linda Candy, Geoff Cox, Jacob Eisenstein, Gerhard Fischer, Bob Hughes, Thomas T. Hewett:
Individual and/versus social creativity (panel session).
36-39
- Jana Z. Sedivy, Hilary Johnson:
Supporting creative work tasks: the potential of multimodal tools to support sketching.
42-49
- Glenn Blauvelt, Thomas Wrensch, Michael Eisenberg:
Integrating craft materials and computation.
50-56
- Tang-Chun Li:
Who or what is making the music: music creation in a machine age.
57-62
- Gregory P. Garvey:
The split-brain human computer user interface.
63-67
- Shoji Tanaka, Jun Kurumisawa, Andre Plante, Yuichi Iwadate, Seiji Inokuchi:
Composition analyzer: computer supported composition analysis of masterpieces.
68-75
- Bert Bongers:
Exploring Novel ways of interaction in musical performance.
76-81
- Hisataka Noguchi:
How do material constraints affect design creativity?
82-87
- Dante Tanzi:
Preliminary observations about music and decentralized environments.
88-92
- Mike King:
The new metaphysics and the deep structure of creativity and cognition.
93-100
- Vittorio Mischi:
Skunk Works: "speciation" strategies for creativity.
101-107
- Kazushi Nishimoto, Kenji Mase:
A proposal for a framework for general multimedia art creation instruments.
108-115
- Gerhard Fischer:
Symmetry of igorance, social creativity, and meta-design.
116-123
- Alberto Faro, Daniela Giordano:
Ontology, aesthetics and creativity at the crossroads in information system design.
124-131
- Carol Strohecker:
What would Ce´zanne think?
132-134
- Ryohei Nakatsu, Joy Nicholson, Naoko Tosa:
Emotion recognition and its application to computer agents with spontaneous interactive capabilities.
135-143
- Alain Bonardi, Francis Rousseaux:
Composing interactive virtual operas.
144-147
- Luisa Paraguai Donati, Gilberto Prado:
Artistic environments of telepresence in the WWW.
148-151
- John Lycette, Greg O'Connor, Darren Tofts, Peter Webb, Christopher Waller:
A CONCEIT: a collaborative mapping in 3 spaces.
152-157
- Nathalie Bonnardel:
Creativity in design activities: the role of analogies in a constrained cognitive environment.
158-165
- Kumiyo Nakakoji, Yasuhiro Yamamoto, Masao Ohira:
A framework that supports collective creativity in design using visual images.
166-173
- Bryan Lawson:
"Fake" and "Real" creativity using computer aided design: some lessons from Herman Hertzberger.
174-179
- Ricardo Sosa:
Modelling creative design through conversation analysis.
182-183
- Tsutomu Miyasato:
Generation of passion spaces from "Tanka" poems.
184-186
- Sue Thomas:
Early engagements of creative writers with online media.
187-188
- Bettina Brendal:
Art as metaphor.
189-190
- Jean-Paul Longavesne:
Revolution in art: networking painting machine.
191-192
- Jonathan Bedworth, James Norwood:
The Turing test is dead ...
193-194
- Michael Quantrill:
Drawing as a function of movement.
195-196
- Doug Riecken:
Wolfgang: "Emotions" plus goals enable learning.
197-198
- Hélia Vannucchi de Almeida Santos:
Thwarting the Web users' expectations.
199-200
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